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Ventilator Upcoming

Ventilator

The four-year Ventilator author cycle will have four stages of development. Each year, we will give the opportunity for a selected author, duo or group to develop their creative potential to crossover and connect the musical and performing arts. Ventilator introduces new creative approaches to the expression of music-dance-performance. It will highlight innovations in understanding artistic action, the different relationships between structured form and improvisation, the thoughtful relationships with the space and audience, new methods of performance production.

The title suggests ventilation, airing, fluid content, theme, combinations, forms, techniques, mode of presence, modules, authors, performers, gestures and sonority. This enables exceptional creativity, originality, responsiveness and openness in creation. It will scaffold untested combinations of authors, performers, artistic styles and techniques.

Since 2020, Ventilator has been part of the portal Neodvisni.


Katja Legin, Jurij Konjar, Samo Kutin
Katja Legin, Jurij Konjar, Zlatko Kaučič

#2 Re-scoring Oral Stages
Irena Z. Tomažin and Jule Flierl: So, what is SoundDance?

#1 Sorry
Anita Wach, Grega Zorc and Andrej Fon, musician, perform the idea of parasitism as the only possible relation

26.10.2020

Ventilator: Jule Flierl in Irena Z. Tomažin

26.10. Jule Flierl & Irena Tomažin - Alien Voices - sounddance
mednarodno gostovanje projekta Ventilator – festival Labor Sonor, Kunsthaus Kul.e, Berlin


Jule Flierl in Irena Tomažin Zagoričnik več let načrtujeta skupni projekt, že vsaj od leta 2012, ko sta se spoznali v projektu Tina Sehgala na Festivalu DOCumenta 13. Avtorsko delo obeh preči odnos glasu in telesa v performativnih praksah.
V skupnem prihajajočem delu ju zanima prevajanje plesa v glas ter obratno in vse, kar se v tem procesu ne samo izgubi, popači ter predvsem spodleti, ampak se tudi zamaskira oziroma se (z)laže. Glas kot medij sporočanja nekako samoumevno in poenostavljeno jemljemo za nekakšno zvočno zrcalo tega, kar se dogaja pred našimi očmi. Telo se na drugi strani obravnava kot “stvar samo”, kot ultimativni in primarni medij, preko katerega se pretaka resnica nas samih kot fizičnih bitij - navkljub dejstvu plesnih, igralskih teles, ki so verjetno najbolj umetelna družbena telesa, ki s svojo trenirano “kulturo” najdlje stojijo od “nature”. Ko glas poslušamo mimo in izven besed, nas najbolje ogoloti kulture (razen če ni vpet v strogo določene glasbene žanre) in s tem je tisto “unheimlich” nekaj, kar nas kot kulturna bitja najbolj vrže nazaj v tisto primitivno, torej “naturo”. Če predpostavimo, da je plesno telo tisto nekaj najbolj “kulturno” in glas, slečen besed, tisto nekaj najbolj “naravno”, je ta prevod že spodletel. Kljub temu je komunikacija med telesom in glasom  neumorna.

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