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Where Sploh

Touring 2021

14.08. Tomaž Grom in Denes Debrei, festival Telesa, svetovi, Krušče
13.08. – Tomaž Grom – solo, ob razstavi Hedonizem 2020-2021, Grad Grad
12.–14.08. – Tomaž Grom: iMštrument, festival Telesa, svetovi, Krušče
10.08  – Tomaž Grom – solo, festival Telesa, svetovi, Krušče
05.08. – Špela Trošt – Moja pojavnost nima več ostrih robov, festival Topografije zvoka, galerija ŠKUC Ljubljana
30.07. – Oholo!, Jazz festival, Cankarjev dom, Ljubljana
22.07. – Tomaž Grom – solo, Mudri dolac, Hvar
17.07. – Stavkanje in jecljanje, predstavitev CD, Jazz Cerkno, Slovenija
08.07. –  iMštrument, L'estate indiane, Cesena, Italija
08.07. – Tomaž Grom – solo, L'estate indiane, Cesena, Italija
02.07. – Šift#19 – Za vsako rit raste šiba, Pripovedovalski festival, Cankarjev dom, Ljubljana
02.07. – Šift#18 – LIBERTÉ, EGALITÉ, FRATERNITÉ, Nova pošta, Ljubljana
27.06. – Oholo!, Bistrica ob Sotli
25.06. – Šift#17 – Pravica prihaja, Muzejska ploščad, Ljubljana
25.06. – Ventilator: digital 1.5.2, Tivoli, Ljubljana
18.06. – Gimnastika ne/smisla, Skladišče/Magazzino LIbertas FEstival, Koper
16.06. – Zveze #drugič, festival Pajek, Ljubljana
05.06. – Oholo!, Čadrg
16.–18.04. – Šift#16 – Dihaj, Fotopub, Ljubljana
09.03. – Tomaž Grom - solo, Cankarjev dom, Ljubljana
15.02. – Tomaž Grom - solo, Rojišče, Vrhnika
03.02. – Gimnastika ne/smisla, voajerski pogled, Ljubljana
26.01. – Komaj čakam, da prideš, spletna premiera, Ljubljana

13.11.2019

Tomažin / Grom: New Adits, Klagenfurt, Austria

photo: Christina Marx
photo: Christina Marx
Irena Z. Tomažin – voice

Tomaž Grom – double bass, electronics

New Adits, Klagenfurt, Austria

Irena Z. Tomažin and Tomaž Grom combine their own unique musical approaches, interweaving and limiting them with the most varied of compositional procedures. Their music pierces the boundary between improvisation and pre-defined structure, and is heard as unique compositions.
The voice of Irene Z. Tomažin has body, rises, knits and falls through physical sensations, movements, emotions, moods, and is heard through the movement of her body and in the space.
Tomaž Grom understands music as a form of seeking, unanswered questions, flow of ideas, unpredictable situations. Composition is improvisation. In music, challenges invite thinking and open up new possibilities.
The organic foundation of these author-performers is further enhanced by microphonization and nuanced electronic sound manipulation. In doing so, they musically and sonorically encourage, complement, enhance, seek and create. Their witty play of combinations and selections exorcise the listeners from the domesticated style of listening.

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