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Where Sploh

Touring 2024

8. 4. – Ne misli, da bo kdaj mimo, Kinodvor, Ljubljana
22. 3. – Tomaž Grom, Kavč festival, Ljubljana
13. 3. – Tomaž Grom, Osnabruck, Nemčija
8. 3. – Zdej loh spokam zdej loh grem, Stara mestna elektrarna, Ljubljana
5. 3. – Ne misli, da bo kdaj mimo, Kinodvor, Ljubljana
23. 2. – Oholo!, MENT, Ljubljanski grad, Ljubljana
21. 2. – Zveze: Tea Vidmar in Tomaž Grom, Taktišče, Hupa Brajdič, Ljubljana
20. 2.- – Ne misli, da bo kdaj mimo, Kultruni dom Franca Bernika, Domžale
19. 2.- – Ne misli, da bo kdaj mimo, Kinodvor, Ljubljana
15. 2. – Tomaž Grom spremlja film Trpljenje device Orleanske, Kinoteka, Ljubljana
8. 2.- – Ne misli, da bo kdaj mimo, Kultruni dom Franca Bernika, Domžale
6. 2.- – Ne misli, da bo kdaj mimo, Kinodvor, Ljubljana
2.–3. 2. – Na delo!, Hangar teatri, Triest, Italy
3. 2. – Zvokotok: Steve Reich, Cankarjev dom, Ljubljana

13.11.2019

Tomažin / Grom: New Adits, Klagenfurt, Austria

photo: Christina Marx
photo: Christina Marx
Irena Z. Tomažin – voice

Tomaž Grom – double bass, electronics

New Adits, Klagenfurt, Austria

Irena Z. Tomažin and Tomaž Grom combine their own unique musical approaches, interweaving and limiting them with the most varied of compositional procedures. Their music pierces the boundary between improvisation and pre-defined structure, and is heard as unique compositions.
The voice of Irene Z. Tomažin has body, rises, knits and falls through physical sensations, movements, emotions, moods, and is heard through the movement of her body and in the space.
Tomaž Grom understands music as a form of seeking, unanswered questions, flow of ideas, unpredictable situations. Composition is improvisation. In music, challenges invite thinking and open up new possibilities.
The organic foundation of these author-performers is further enhanced by microphonization and nuanced electronic sound manipulation. In doing so, they musically and sonorically encourage, complement, enhance, seek and create. Their witty play of combinations and selections exorcise the listeners from the domesticated style of listening.

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