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Where Sploh

Touring 2019

23.9. – Martin Kuchen in Tomaž Grom - Improponedeljak, Zagreb, Croatia
22.9. – Martin Kuchen in Tomaž Grom - Dobbia, Italia
17.9.  – Mes(t)o glasu - Pelzverkehr - Klagenfurt, Austria
29.8. – Tomaž Grom - Krušče
23.8. – Neforma 72 - Bazen Vrhnika
22.8. – Ana Kravanja in Tomaž Grom - Audioart - Pula, Croatia
22. - 24.8. – iMštrument - Audioart - Pula, Croatia
12. - 16.8. – iMštrument - Improcon, Bistrica ob Sotli, Slovenia
2. 8. - Sluhodvod #3 - Festival Izis, Portorož
25. 7. – iMštrument - Konfrontationen - Nickelsdorf, Avstrija
22. 7. – iMštrument - Improbiro - Nova Gorica
14.7.–  Samo Kutin in Tomaž Grom - Rojišče, Vrhnika
13.7. –  Samo Kutin in Tomaž Grom - Topolò, Italy
12.6. Sorry (Anita Wach, Grega Zorc, Andrej Fon), A Part Festival Katowice, Poland
15.5. Sorry (Anita Wach, Grega Zorc, Andrej Fon), festival Prestopi, Maribor
13.5. Axel Dörner, Tomaž Grom, DobiaLab, Staranzano, Italy
12.5. Axel Dörner, Tomaž Grom, Klub Štala, Lokavec
09.5. iMštrument, Kultur in Graz, Gradec, Austria
17.4. Primož Čučnik, Tomaž Grom, Lud Literatura, Prepišno uredništvo, Ljubljana
09.3. Sorry (Anita Wach, Grega Zorc, Andrej Fon), GT22, Maribor
08.3. Glas Bas (Irena Tomažin, Tomaž Grom), Ausland, Berlin, Germany
11. and 12.1. Šalter Ensemble (Samo Kutin, Irena Z. Tomažin, Tomaž Grom), Biel, Švica
11. and 12.1. iMštrument, Biel, Švica
09.1. Tomaž Grom, Mummuth, Gradec, Austria
1.–16.1. Reading stanley brouwn, MMSU, Reka, Croatia

13.11.2019

Tomažin / Grom: New Adits, Klagenfurt, Austria

photo: Christina Marx
photo: Christina Marx
Irena Z. Tomažin – voice

Tomaž Grom – double bass, electronics

New Adits, Klagenfurt, Austria

Irena Z. Tomažin and Tomaž Grom combine their own unique musical approaches, interweaving and limiting them with the most varied of compositional procedures. Their music pierces the boundary between improvisation and pre-defined structure, and is heard as unique compositions.
The voice of Irene Z. Tomažin has body, rises, knits and falls through physical sensations, movements, emotions, moods, and is heard through the movement of her body and in the space.
Tomaž Grom understands music as a form of seeking, unanswered questions, flow of ideas, unpredictable situations. Composition is improvisation. In music, challenges invite thinking and open up new possibilities.
The organic foundation of these author-performers is further enhanced by microphonization and nuanced electronic sound manipulation. In doing so, they musically and sonorically encourage, complement, enhance, seek and create. Their witty play of combinations and selections exorcise the listeners from the domesticated style of listening.

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