Zavod Sploh
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Where Sploh

Touring 2025

26. 4. – Kaučič / Küchen, Defonija, gallery Škuc, Ljubljana
25. 4. – Kaučič / Grom / Küchen, Klub Štala, Lokavec
24. 4. – Kaučič / Grom / Küchen, grof Melin, Zagreb, Croatia
18. 4. – Trojnik, gallery Škuc, Ljubljana
17. 4. – Zveze: Tomaž Grom, Luka Zabric, Taktišče, Hupa Brajdič, Ljubljana
12. 4. – Ne misli, da bo kdaj mimo, Stara elektrarna, Ljubljana
12. 4. – Zdej loh spokam zdej loh grem, Stara elektrarna, Ljubljana
30. 3.–7. 4. – Razsrediščenja +Better Live, Italy, Slovenia
31. 3. – Zvokotok, Simone Keller, akademija za glasbo UL, Ljubljana
18. 3. – Zveze: CPG Impro, Vodnikova domaćija, Ljubljana
12.–13. 3. – Kristina Aleksova, Anita Wach: Trenutek, ko vse obstane, Performativa, Cukrarna, Ljubljana
6.–7. 3. – Trojnik, RCHTN25, Berlin, Germany
19. 2. – Zveze: Tomaž Grom, Taktišče, Ljubljana
17. 2. – Zvokotok, Igor Mitrović, akademija za glasbo UL, Ljubljana
12.–21. 2. – Razsrediščenja + Better Live, Italy, Slovenia, Croatia 
17. 1. – Luka Juhart z gosti, predstavitev albuma RanDom, Cankarjev dom, Ljubljana
9. 1. – Zvokotok, Nejc Grm, Akademija za glasbo UL, Ljubljana
8. 1. – Zveze: Trojnik, Taktišče, Ljubljana

13.11.2019

Tomažin / Grom: New Adits, Klagenfurt, Austria

photo: Christina Marx
photo: Christina Marx
Irena Z. Tomažin – voice

Tomaž Grom – double bass, electronics

New Adits, Klagenfurt, Austria

Irena Z. Tomažin and Tomaž Grom combine their own unique musical approaches, interweaving and limiting them with the most varied of compositional procedures. Their music pierces the boundary between improvisation and pre-defined structure, and is heard as unique compositions.
The voice of Irene Z. Tomažin has body, rises, knits and falls through physical sensations, movements, emotions, moods, and is heard through the movement of her body and in the space.
Tomaž Grom understands music as a form of seeking, unanswered questions, flow of ideas, unpredictable situations. Composition is improvisation. In music, challenges invite thinking and open up new possibilities.
The organic foundation of these author-performers is further enhanced by microphonization and nuanced electronic sound manipulation. In doing so, they musically and sonorically encourage, complement, enhance, seek and create. Their witty play of combinations and selections exorcise the listeners from the domesticated style of listening.

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