Zavod Sploh
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Where Sploh

Touring 

2026
1. 5. Tomaž Grom in Elisabeth Harnik, Frohenleiten, Austria
29. 3. Tomaž Grom in Nikola Vuković, Vekks, Dunaj, Austria
17. 3. Tomaž Grom: solo Poljub, Echoraum, Dunaj, Austria
13. 4. Tomaž Grom in Valentin Duit, Celeste, Dunaj, Austria
21. 3. Sluhodvod: Zborovanje, pred Švicerijo, park Tivoli, Ljubljana
13.-23. 3. Razsrediščenja, Slovenija, Italy, Croatia
4. 3. Oholo!, Defonija, Klub Gromka, Ljubljana
3. 3. Oholo!, Močvara, Zagreb, Croatia
2. 3. Oholo!, kino Regenerator, Zabok, Croatia
1. 3. Oholo!, Crna kuča, Novi Sad, Serbia
27. 2. Oholo!, SDK, Tolmin
26. 2. Tomaž Grom solo, Predvratni koncert, Ljubljana
11. 2. CPG Impro, Knigarna kavarna Maks, Nova Gorica
5. 2. Šum Balkana, Kulturni dom, Brežice
3. 2. zdej loh spokam zdej loh grem, Center za kulturne prireditve, Slovenske Konjice
31. 1. Zvokotok: Mehka črta, Cankarjev dom, Ljubljana
28. 1. CPG Impro, Vodnikova domačija, Ljubljana
21. 1. Zveze: Vita Kobal in Tomaž Grom, Taktišče, Ljubljana
19. 1. zdej loh spokam zdej loh grem, Drugajanje, Maribor

28.6.2020

Irena Z. Tomažin: Moved By Voice

28.3. Stara mestna elektrarna, Elektro Ljubljana ob 20:00

The performance Moved by Voice by Irena Tomažin Zagoričnik continues her exploration of the relation between the body, voice, and space. Tomažin and her collaborators undertake a research into the multiple sources of voice, its flesh, its materiality and metaphysical properties, and scrutinize its meaning and place in everyday life. This is an investigation of the processes that take place when the will of the cultivated flesh slackens and permits the presence of the voice, dis-burdened of the dichotomy between subject and object, culture and nature, the individual and the social, between the vulnerable body and the power of performance, to grow out of the cautious and delicate space/flesh.

How to let the voice come out as resuscitation and giving ear to the manifold sound space in and outside of the individual and collective bodies? The body that listens and resonates with the heard. Every so often, the voice becomes tangible and enters the body directly – the closeness of this place is strangely uncanny because we are oblivious and alienated from our innermost flesh.

Photo: Nada Žgank
Photo: Nada Žgank

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