Zavod Sploh
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Where Sploh

Touring 2020

01.11. – Sluhodvod, Odprti termin za kulturo, Radio Študent, Ljubljana
24.10. – Ventilator (Irena Z. Tomažin, Jule Flierl), Labor Sonor, Berlin, Nemčija
12.10. – Zvokotok, Cankarjev dom, Ljubljana
09.10. – Zveze (Zlatko Kaučič in Tomaž Grom ter Oholo!) - Oder pred Glejem, Ljubljana
26.09. – Zveze (Irena Z. Tomažin, Matija Schellander, Samo Kutin in Tomaž Grom), Echoraum, Dunaj, Avstrija
23.09. – Ventilator: Trip-tih (Katja, Jurij, Samo), Krušče
22.09. – Ventilator: Trip-tih (Katja, Jurij, Samo), Lesno Brdo
19.09. – Oholo!, Jazz Cerkno
11.09. – Tao G. Vrhovec Sambolec: Brati (kot) telesa, Rotterdam, Nizozemska
07.09. – Zveze (Zlatko Kaučič in Tomaž Grom), Sound Explicit, Ljubljana
28.-30.08. – Tomaž Grom: Zaklep, Stazione Topolo, Italija
29.08. – Zveze (Irena Z. Tomažin in Tomaž Grom), Stazione Topolo, Italija
27.08. – Neposlušno - razlika, Vrhnika
27.08. – Zvokotok (Tilen Lebar), Vrhnika
23.08. – Tomaž Grom, Blockheide Leuchtet, Gmünd, Avstrija
17.07. – Zveze (All Strings Deteched), Muzejska ploščad, Metelkova, Ljubljana
16.07. – Zveze (Etceteral), Muzejska ploščad, Metelkova, Ljubljana
15.07. – Zveze (Samo Kutin in Tomaž Grom), Muzejska ploščad, Metelkova, Ljubljana
08.07. – Tomaž Grom in Sara Zlanabitnig, DerBlödeDritteMittwoch #99, Dunaj, Avstrija
07.07. – Sonce in sončice po vsem svetu, Sokolski dom, Škofja Loka
05.07. – Oholo!, Muzejska ploščad, Metelkova, Ljubljana
03.07. – Oholo!, MKNŽ, Ilirska Bistrica
02.07. – Oholo!, Močvara, Zagreb, Hrvaška
27.06. – Šift#13 – Igra, Park Tabor, Ljubljana
17.06. – Zveze (Irena Z. Tomažin, Jurij Konjar in Tomaž Grom), festival Pajek, Ljubljana
10.06. – Zveze (Rob Cunning in Tomaž Grom), GT22, Maribor
10.06. – iMštrument, GT22, Maribor
26.05. – Confine aperto (Jelena Soro in Žiga Golob), Afterparty, Radio Študent, Ljubljana
15.05. – Oholo!, ŠTREAM, CUK Šiška, Ljubljana
11.02. – Tomaž Grom, Zvočiti, CUK Šiška, Ljubljana
08.–29.02. – Tao G. Vrhovec Sambolec: Brati branje, galerija Errant Sound, Berlin, Nemčija
29.01. – Moje telo, moja kletka, Nova pošta, Ljubljana


Zveze: Rob Cunning, Tomaž Grom

GT 22, Maribor ob 20:00

Rob Canning - elektronika
Tomaž Grom - kontrabas

Rob Canning is an Irish computer musician, composer and educator. His work is informed by network culture and technologies with an emphasis on homebrew software development and DIY methodologies. After 15 years in London, where he completed his PhD in Music Composition and lectured in Network Media Arts, he now resides between Maribor and Haloze in eastern Slovenia. He is developing, with his family, a rural project and art residency space while keeping one foot in the city of Maribor as instigator of a regular music hackspace meetup in the Transnational guerilla art school (TGAS). He is a user, developer and advocate of free and open source software and regularly teaches workshops at the intersection of creative practice, digital citizenship and programming.

Tomaž Grom understands music as a medium of communication rather than aesthetic pleasure. He wants to find reasons for making music. Uncompromisingly he prods at social norms. Music for him is a form of seeking, unanswered questions, flow of ideas, unpredictable situations. Composition is improvisation. Improvisations offers him space to lose himself, to make mistakes, to come up with intriguing solutions. In music, challenges invite thinking and open up new possibilities. He misses a deep and complex analysis.
He is the founder and artistic director of Zavod Sploh, an associaton devoted to the production of music and performing arts as well as to education and publishing in the field.

iMstrument is a collection of sound and video recordings of musicians who are developing their own individual musical language and an audiovisual experimental instrument. Selecting the source, turning on and off, defining volume and rendomness are parameters that allow the user to play music.An ever-unrepeatable composition is constantly formed in front of eyes and ears.

iMstrument is a continuously evolving creation, combining original and live music. It is taking place at the intersection of technologically processed contemporary sonority and the elementarity of clean sounds in connection with digitized recording. It is a meeting place of the absent technologically reproduced performers and the immediate presence of the user.

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