Zavod Sploh
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Where Sploh

Touring 2025
8. 12. – Zdej loh spokam zdej loh grem, festival 4 + 4 Day in Motion, Praga, Check republic
3. 12. – Zvokotok, Urška Pompe, Cankarjev dom, Ljubljana
18. 11. – Zveze: CPG Impro, festival Forum nove glasbe, Cankarjev dom, Ljubljana
13. 11. – Zdej loh spokam zdej loh grem, festival drugajanja, SLG celje
4. 11. – Zveze: Vesna Pisarović in Tomaž Grom, Knjižara koja svira, Bulevar books, Reka, Croatia
24. 10. – Zvokotok, Jan Čibej, Luka Poljanec, Cankarjev dom, Ljubljana
18. 10. – Kaja Draksler: Sčasoma, Donaueschinger Musiktage, Donaueshingen, Germany
9. 10.–18. 10. – Razsrediščenja, Italy, Slovenia, Croatia
4. 10. – Tepih, Le Singe, Biel/Bienne, Switzerland
3. 10. – Tepih, Au Poney Fringant, Saou, France
2. 10. – Tepih, Le periscope, Lyon, France
1. 10. – Tepih, Cave12, Ženeva, Switzerland
22. 9. – Zveze: Cene Resnik, Urban Kušar, Improponjedeljak, Močvara, Zagreb, Hrvaška, Croatia
21. 9. – Oholo!, Mesto srečanja Stara Šiška, Ljubljana
13. 9. – Tomaž Grom, festival MOZG, Bydgoszcz, Poland (supported by Music Slovenia)
12. 9. – Tomaž Grom, Grgur Savić in Emilie Skriljej, Tom Malmendier, Marina Cyrino, Matthias Koole, RCHTN25, Berlin, Germany
10.-11. 9. – U.F.O., festival Tanznacht, Berlin, Germany
6. 9. – Tomaž Grom, Julia Bilat, Els Vandeweyer, Kriton Beyer, Harri Sjostrom, Galerie Wolf & Galentz, Berlin, Germany
6. 9. – Ventilator: Ostanite mirni, Moste Open 2025, Španski borci, Ljubljana  
4. 9. – Tomaž Grom, Max Arsava, Florian Fischer, Exploratorium, Berlin,Germany
3. 9. – Tomaž Grom, Verena Marisa, Marius Wankel, Francisco Catalan, PAS, Berlin, Germany
2. 9. – Tomaž Grom, Liz Albee, Edith Steyer in Ute Wassermann, Raed Yassin, Martin Kuchen, RCHTN25, Berlin, Germany
22.–31. 8. – PARL, AGRFT in Španski borci, Ljubljana 
24. 8. – Tomaž Grom, festival Lukatelce, Volče
22. 8. – Zveze: CPG Impro, festival O'brk, Vrhnika
21.-31. 8. – PARL, Ljubljana
31. 7. – Kapec / Milošić / Grom, Muzej prekinutih veza, Zagreb, Croatia
16. 7.  – Tomaž Grom solo, palača Biankini, Stari Grad, Croatia
5. 7.  – Zveze: Vid Luka Narea, festival Jazz Ljubljana, Cankarjev dom, Ljubljana
19. 6. – Na ta veseli dan kulture, Posavski muzej, Brežice
10. 6. – Zveze: Oholo!, Jazzatrija, Nova Gorica
9. 6. – Zveze: Oholo!, Hupa Brajdič, Ljubljana
8. 6. – Zdej loh spokam zdej loh grem, Borštnikovo srečanje, Maribor
5. 6. – Zveze: CPG Impro, Lud-a literatura, Ljubljana
31. 5. – Tomaž Grom solo, Babylon Europe, Berlin, Germany
28. 5. – Tomaž Grom in Raed Yassin, Panda teater, Berlin, Germany
22. 5. – Zdej loh spokam zdej loh grem, Rdeči revirji, Hrastnik
21. 5. – Zveze: CPG Impro, Performativa, Cukrarna, Ljubljana
30. 4. – Kapec / Milošić / Grom, Dani jazza, Zagreb, Croatia
26. 4. – Schellander / Klement / Kutin / Grom, festival Ulrichsberger Kaleidophon, Austria
26. 4. – Kaučič / Küchen, Defonija, gallery Škuc, Ljubljana
25. 4. – Kaučič / Grom / Küchen, Klub Štala, Lokavec
24. 4. – Kaučič / Grom / Küchen, grof Melin, Zagreb, Croatia
18. 4. – Trojnik, gallery Škuc, Ljubljana
17. 4. – Zveze: Tomaž Grom, Luka Zabric, Taktišče, Hupa Brajdič, Ljubljana
12. 4. – Ne misli, da bo kdaj mimo, Stara elektrarna, Ljubljana
12. 4. – Zdej loh spokam zdej loh grem, Stara elektrarna, Ljubljana
30. 3.–7. 4. – Razsrediščenja +Better Live, Italy, Slovenia
31. 3. – Zvokotok, Simone Keller, akademija za glasbo UL, Ljubljana
18. 3. – Zveze: CPG Impro, Vodnikova domaćija, Ljubljana
12.–13. 3. – Kristina Aleksova, Anita Wach: Trenutek, ko vse obstane, Performativa, Cukrarna, Ljubljana
6.–7. 3. – Trojnik, RCHTN25, Berlin, Germany
19. 2. – Zveze: Tomaž Grom, Taktišče, Ljubljana
17. 2. – Zvokotok, Igor Mitrović, akademija za glasbo UL, Ljubljana
12.–21. 2. – Razsrediščenja + Better Live, Italy, Slovenia, Croatia 
17. 1. – Luka Juhart z gosti, predstavitev albuma RanDom, Cankarjev dom, Ljubljana
9. 1. – Zvokotok, Nejc Grm, Akademija za glasbo UL, Ljubljana
8. 1. – Zveze: Trojnik, Taktišče, Ljubljana

10.6.2020

Zveze: Rob Cunning, Tomaž Grom

GT 22, Maribor ob 20:00

Rob Canning - elektronika
Tomaž Grom - kontrabas
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Rob Canning is an Irish computer musician, composer and educator. His work is informed by network culture and technologies with an emphasis on homebrew software development and DIY methodologies. After 15 years in London, where he completed his PhD in Music Composition and lectured in Network Media Arts, he now resides between Maribor and Haloze in eastern Slovenia. He is developing, with his family, a rural project and art residency space while keeping one foot in the city of Maribor as instigator of a regular music hackspace meetup in the Transnational guerilla art school (TGAS). He is a user, developer and advocate of free and open source software and regularly teaches workshops at the intersection of creative practice, digital citizenship and programming.

Tomaž Grom understands music as a medium of communication rather than aesthetic pleasure. He wants to find reasons for making music. Uncompromisingly he prods at social norms. Music for him is a form of seeking, unanswered questions, flow of ideas, unpredictable situations. Composition is improvisation. Improvisations offers him space to lose himself, to make mistakes, to come up with intriguing solutions. In music, challenges invite thinking and open up new possibilities. He misses a deep and complex analysis.
He is the founder and artistic director of Zavod Sploh, an associaton devoted to the production of music and performing arts as well as to education and publishing in the field.

iMstrument is a collection of sound and video recordings of musicians who are developing their own individual musical language and an audiovisual experimental instrument. Selecting the source, turning on and off, defining volume and rendomness are parameters that allow the user to play music.An ever-unrepeatable composition is constantly formed in front of eyes and ears.

iMstrument is a continuously evolving creation, combining original and live music. It is taking place at the intersection of technologically processed contemporary sonority and the elementarity of clean sounds in connection with digitized recording. It is a meeting place of the absent technologically reproduced performers and the immediate presence of the user.


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