Zavod Sploh
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Where Sploh

Touring 2023

20.05. – Zlatko Kaučič in Tea Vidmar, festival Impronedjeljak, Zagreb, Croatia
15.09. – Razrediščenja: Irena Z. Tomažin in Tea Vidmar, BCF, Medana
13.09. – U.F.O., Here festival, Witlycke, Sweeden
09.09. – Na delo!, festival Venere in teatro, Mestre-Venezia, Italy
02.09. – Tomaž Grom, Estati Indiane, Cesena, Italy
01.09. – Komaj čakam, da prideš, Malatesta short film festival, Cesena, Italy
11.08. – CPG Impro, festival Izrekanja, Celje
10.08. – Zveze: Tomaž Grom, Denes Debrei, Katja Legin, Mali festivali, Krušče
09.08. – Ne misli, da bo kdaj mimo, Mali festivali, Krušče
05.–19.08 – Moja pojavnost nima več ostrih robov, Matca, Cluj, Romunija
10.07. – Zveze, Tomaž Grom: solo, Cankarjev dom, Ljubljana
06.07. – TiTiTi in Marina Džukljev, Sajeta, Tolmin
22.06. – Gimnastika ne/smila III, LIFE, Libertas, Koper
21.06. – Gimnastika ne/smila III, Cankarjev dom, Ljubljana
03.06. – TiTiTi, trio Fon / Jenič / Ruda, Lyon, France
02.06. – Oholo!, Lyon, France26.05. – Šalter, filmski festival Videoex, Zurich, Switzerland
25.05. – Šalter, Le Siege, Biel, Switzerland19.05. – Šalter, festival Jazz Cerkno
17.05. – TiTiTi in Marina Đukljev, Ring Ring festival, Beograd, Serbia05.05. – Šalter, Forte Maghera, Benetke-Mestre, Italiy
24.in 25.04 – Na delo!, Praznik dela, Stara elektrarna, Ljubljana
16.04. – Zvokotok, Cankarjev dom, Ljubljana
13.04.–28.05. – Tao G. Vrhovec Sambolec: Brati branje, Brati Vita Acconcija, Brati (kot) telesa, Cukrarna, Ljubljana
09.04. – Razrediščenja, Anil Eraslan, Les Marquises: Emilie Škrijelj, Tom Malmendier, Klub Štala, Lokavec
31.03. – Komaj čakam, da prideš, Eastrn Europe Film Festival
24.03. – Komaj čakam, da prideš, Europe Film Festival, Barcelona
16.03. – Zveze, Tomaž Grom in Vid Drašler, PLAC, Ljubljana
05.03. – Zvokotok, Cankarjev dom, Ljubljana
02.–25.03. – Tomaž Grom: iMštrument, galerija Tir, Mostovna, Nova Gorica
24.02. – U.F.O., festival Gibanica, Stara elektrarna, Ljubljana
19.02. – Zveze, Tomaž Grom: solo Kiss, Salon za eno glasbo, Ljubljana
04.02. – Zveze, Tomaž Grom: solo Kiss, Kavč festival, Ljubljana
30.01. – Na ta veseli dan kulture, Hotspot, Španski borci, Ljubljana
29.01. – La isla bonitaV Na zahtevo, Hotspot, Ljubljana
29.01. – Na delo!, Muzej sodobne umetnosti, Ljubljana
26.01. – Ne pričakuj, da bo kdaj mimo, Slovenska knoteka, Ljubljana
17.01. – Zveze, CPG impro, Plac. Ljubljana
13.01. – Sluhodvod: The Third Guy, Cirkulacija 2, Ljubljana

10.6.2020

Zveze: Rob Cunning, Tomaž Grom

GT 22, Maribor ob 20:00

Rob Canning - elektronika
Tomaž Grom - kontrabas
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Rob Canning is an Irish computer musician, composer and educator. His work is informed by network culture and technologies with an emphasis on homebrew software development and DIY methodologies. After 15 years in London, where he completed his PhD in Music Composition and lectured in Network Media Arts, he now resides between Maribor and Haloze in eastern Slovenia. He is developing, with his family, a rural project and art residency space while keeping one foot in the city of Maribor as instigator of a regular music hackspace meetup in the Transnational guerilla art school (TGAS). He is a user, developer and advocate of free and open source software and regularly teaches workshops at the intersection of creative practice, digital citizenship and programming.

Tomaž Grom understands music as a medium of communication rather than aesthetic pleasure. He wants to find reasons for making music. Uncompromisingly he prods at social norms. Music for him is a form of seeking, unanswered questions, flow of ideas, unpredictable situations. Composition is improvisation. Improvisations offers him space to lose himself, to make mistakes, to come up with intriguing solutions. In music, challenges invite thinking and open up new possibilities. He misses a deep and complex analysis.
He is the founder and artistic director of Zavod Sploh, an associaton devoted to the production of music and performing arts as well as to education and publishing in the field.

iMstrument is a collection of sound and video recordings of musicians who are developing their own individual musical language and an audiovisual experimental instrument. Selecting the source, turning on and off, defining volume and rendomness are parameters that allow the user to play music.An ever-unrepeatable composition is constantly formed in front of eyes and ears.

iMstrument is a continuously evolving creation, combining original and live music. It is taking place at the intersection of technologically processed contemporary sonority and the elementarity of clean sounds in connection with digitized recording. It is a meeting place of the absent technologically reproduced performers and the immediate presence of the user.


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