By Tao G. Vrhovec Sambolec
Online presenttion of the project
Text Short Sentences by
Gertrude Stein, sound, video.
Online presentation 21-22 January 2021
Links:
Online presentation of the project
Reading Short Sentences by Gertrude Stein presents some elements of
the work. The installation is an interpretation of the written play
Short Sentences (1932) by Gertrude
Stein. The play consists of 561 mostly unrelated
short sentences. Each is spoken by a different character. The author interprets
the written play so that he allocates each sentence of the play to a unique
reader that he records. He calls this practice distributed reading. In addition
to the sound recordings of the sentences there is a video of the written
sentences that are spoken by the chorus, and the sound recording of the names
of all the characters, read by a single voice.
Online presentation includes two videos. The first video
consists of the sound recordings of the first hundred names, accompanied by the
written opening stage instruction. The second video consists of the sound
recordings of the first hundred sentences read by hundred different voices. In
between the sound recordings written chorus sentences appear in between the
sound recordings.
Distributed reading
The practice of mediated and
distributed reading involves substituting singular silent reader of the text
with plurality of unrelated, isolated and scattered partial readers. Together
they form a plurality of reading voices that transpose Stein’s written text on
the sonic realm. This brings attention to the inaccessible aural qualities of
the inner reading voice, and how it is affected when encountering plurality of
characters in the play. Do we hear the sonic quality of own inner
reading voice? When reading a play with various characters, do the characters
modify the inner reading voice, or, does the inner reading voice unify the
plurality of characters it is speaking for and lending them the selfhood of the
reader? Is this inner voice singular or are there many? Does the possible
plurality of inner voices indicate internally fragmented and plural
subjectivity?
The play as a pre-echo of the
contemporary lived reality
The final installation sonically
embodies the fragmented and dispersed nature of (overheard) voices, which evoke
situations of strangers passing by, continuous mobility, decentralization,
isolation within a crowd, discontinuity, banality and continuity of
distractions. By doing so the work acts as an imaginary re-connection between
Stein’s play and the contemporary lived reality it might be capturing. A
reality that was not entirely there yet when the play was written, but which is
intensely present in the contemporary everyday life - on a busy urban
street, in public transport, at an airport, or, zapping through TV channels,
browsing the Internet, scanning through the radio frequencies or on the social
media platforms.
Reading Short
Sentences by Gertrude Stein is a part of artistic research project
Reading Reading.
Names: Sher Doruff
In Order of Appearance:
Zala Česnik, Karmen Keržar, Katja Gabrijelčič, Špela Škulj, Hotimir Knific, Gal
Škrjanec Skaberne, Kai Ottenheim, Taja Rajterič, Andreja Rauch Podzavirnik,
Jaka Šimenc, Omar Ismaila, Nina Smerkol, Špela Trošt, Leon Curk, Luka
Zagoričnik, Domen Pal, Tomo Per, Primoż Čučnik, Enej Grom, Tao G. Vrhovec
Sambolec, Olja Simčič Jerele, Alejandro Ramirez, Maxim Tyminko, Martijn
Tellinga, Sonja Vulpes, Tomaž Grom, Laurie Cuitmans, Maja Šučur, Koen
Nutters, Yannis Kyriakides, Aria Trošt Bargalini, Katarina Schwarzbartl, Becket
MWN, Ana Pepelink, Arnisa Zeqo, Mirko Lazović, Bennett Hogg, Boris Baltschun,
Irena Tomažin, Doug Barrett, Lore
Gablier, Gabriel Paiuk, Agata Stoinska, Mario Assef, Andrea Knezović,
Bojan Fajfrić, Maia Elisabeth Sørensen, Milena Bonilla, Alena Alexandrova,
Vincent Verhoef, Jonas Kocher, Anne LaBerge, Huib Haye van der Werf, Klaas van
Gorkum, Rune Peitersen, Edwin Zwakman, Elena Biserna, Nadim Abbas, Riccardo
Massari Spiritini, Barbara Lüneburg, Marko Ciciliani, Matteo Casarin, Mika
Cimolini, Natalia Domingez Rangel, Nathan Michelle, Sylbee Kim, Tjaša
Podgornik, Hannah Cheney, Guy Koeningsteen, Heman Chong, Rumiko Hagiwara, John
Grzinić, Ana Nikitović, Uroš Veber, Stefan Thut, Marlies van Hak, Nicolas
Pelzer, Raviv Ganchrow, Panayotis Leftheris, Doris Prlić, Anže Sekelj, Dacho,
Robert Pravda, Mint Park, Taku Mizutta Lipitt - DJ Sniff, Sander Breure, Iratxe
Jaio, Anna Orlikowska, Lucas Norer, Sascha Pohle, Tina Dolinšek, Christina Li, Maria Lalou, Xander
Kaskens, Jessye Luk, Magdalen Wong, David Drum.
Produced by:
Sploh Institute and Projekt Atol Institute, Ljubljana SLovenia
Project supported
by:
Ministry
of Culture of the Republic of Slovenia, City of Ljubljana, Mondriaan Fund – NL.