Zavod Sploh
Razsrediščenja + Better LiveUpcomingArchivePhotography

Razsrediščenja + Better Live

concert cycle of experimental and improvised music

In 2024, the Razsrediščenja cycle will be woven into the wider Better Live project, which was successful in the Creative Europe call for projects.

Better Live is an international project that will run until August 2026 and is committed to the sustainable circulation of musicians in Europe. It envisages the circulation and encourages the employability of European musicians in a sustainable way, i.e. by taking into account economic, social and environmental aspects. It addresses the challenges that the current crisis (post-covid era, war in Ukraine) has revealed and exacerbated. These are challenges that, if not addressed decisively, urgently and holistically, will ultimately threaten the diversity, quality and integrity of the entire European music scene. The current revival is a unique opportunity to lay solid foundations for a more fair, diverse and green music industry.

11 partners from different European countries participate in the project. Each of them should establish a network of local partners in their region to organize tours of invited foreign and local musicians. Who to invite and how to organize events is left to the regional networks, which decide for themselves. However, since the project addresses environmental, social and economic issues, this circulation will take place in the form of small concerts in connection with local communities and will be fairly paid. This means, for example, that the performer does not fly in just for one big festival event, but we enable him or her a tour of several smaller concerts, maybe a residency, workshops, recording and networking with local musical actresses and actors, even in the long term.In order to realize this goal, we have networked with several partners at the local/regional level who organize diverse musical events. The plan is to carry out a total of 30 or more activities in 2024 and 2025, within the framework of two tours in each year.


Better Live + Razsrediščenja tour: Vasco Trilla & Diego Caicedo
5.4. Trieste – Hangar Teatri: Diego Caicedo, Vasco Trilla, Tea Vidmar, Tomaž Grom
6.4. Cerkno – Dvorana Glasbene šole v Cerknem – Keltika concert series – Diego Caicedo, Vasco Trilla, Jošt Drašler
7.4. Vrhnika – Železniška postaja Vrhnika-Mesto – Rojišče concert series – Diego Caicedo, Vasco Trilla, Jošt Drašler, Vid Drašler
8.4. Zagreb – Močvara – Impronedjeljak concert series – Diego Caicedo, Vasco Trilla
9.4. Bistrica ob Sotli, Klub Metulj, Residency/recording & concert – Diego Caicedo, Vasco Trilla, Jure Boršič, Žiga Ipavec
10.4. Bistrica ob Sotli, Klub Metulj, Residency – Diego Caicedo, Vasco Trilla
11.4. Maribor, GT22 – Diego Caicedo, Vasco Trilla, Tea Vidmar, Irena Z. Tomažin
12.4. Lokavec, Klub Štala – Diego Caicedo, Vasco Trilla
13.4. Šempeter pri Gorici – Bivša kinodvorana v Šempetru – FriFruFra series – Diego Caicedo, Vasco Trilla, Jure Boršič, Žiga Ipavec
14.4. Staranzano – Dobialab – Diego Caicedo, Vasco Trilla, Andrea Gulli, Paolo Pascolo 


REGIONAL PARTNERS
Defonija, Ljubljana
Humanistično in Umetniško Društvo "O", Vrhnika
KUD Kussa, Lokavec pri Ajdovščini
KUD Zvočni izviri (Fri-Fru-Fra in  Brda Contemporary Music Festival), Nova Gorica, Brda
Jazz Cerkno, Cerkno
GT22, Maribor
Non-Aligned label, Bistrica ob Sotli
Sajeta, Tolmin
Društvo kulture Laškega, Laško
DobiaLab, Staranzano (IT)
Hangar Teatri, Trieste (IT)
Umjetnička organizacija Cargo (Impronedjeljak), Zagreb (HR)
Zavod Sploh, Ljubljana

INTERNATIONAL PARTNERS
Le Périscope, Lyon (FR)
Wytwórnia, Łódź (PL)
Bimhuis, Amsterdam (NL)
Nasjonal Jazzscene, Oslo (NO)
Plataforma Jazz España, Cadiz (ES)
Zavod Sploh, Ljubljana (SI)
The Cluster, Athens (EL)
Improvised Music Company, Dublin (IE)
Livelab Tampere, Tampere (FI)
EMEE - European Music Exporters Exchange, Bruxelles (BE) / research partner
Jazzahead, Bremen (DE) / Dissemination partner
Better Live is co-funded by the 
Creative Europe Programme of the European Union
The Razsrediščenja cycle aims to promote music events in local spaces and connect them with the geographically wider scene. The common denominator of all participants is an uncompromising descent into experimental tryouts and the search for new musical content, themes, and forms. Razsrediščenja risk unproven combinations that provide vividness and unpredictability, pose a challenge to the diverse scene and thus force it into a curious confrontation with itself.

Exposing the domestic music creation is crucial for the awareness of the action and richness of local research activities, as well as for a regular review and reflection.

PROGRAMME CURATORS
2021-2022 Igor Bezget (GT22, Maribor) 
2022 Andrej Boštjančič (Klub Metulj, Bistrica ob Sotli)
2023 Gal Furlan (Klub Štala, Lokavec), Tomaž Grom (Zavod Sploh), Zlatko Kaučič (Zvočni izviri)
2024 collective of regional network

Co-production: 
2021 GT22
2022 GT22Klub Metulj 
2023 KUD Kussa, Hud-O, Zvočni izviri, PiNA, Sajeta

Past events - click

15.9.2021

Razsrediščenja #4, Maribor, GT22

Razsrediščenja #4, Maribor, GT22 ob 20:00

Beno Soršak, Tilen Lebar, Damir Mazrek, Dr. Rob Canning, Tibor Pernarčič

Beno Soršak je kitarist in glasbeni producent z več kot 20-letnim delovanjem. V svojem udejstvovanju se je dotaknil velike palete glasbenih žanrov, v različnih formatih od koncertov, performansov, predstav ter eksperimentalnih projektov. Zadnja leta deluje kot neodvisni glasbeni producent in ghost producer pri različnih založbah v tujini. 

Tilen Lebar (1993) je saksofonist in skladatelj,predstavnik mlajše generacije glasbenikov in je dejaven predvsem na področju komponiranja komornih del, poustvarjanja del mlajših avtorjev, v polju improvizirane glasbe in interdisciplinarnih ter zvočnih umetnosti. Redno sodeluje z Zavodom Sploh, KUD Mreža, Inexhaustible Editions in avstrijskim ansamblom Szene Instrumental.

Damir Mazrek je tolkalec, ki ustvarja edinstvena ritmična zlitja različnih glasbenih tradicij. V njegovi zbirki tolkal se najdejo – calebasse, dunun, cajon, darabuka, djembe, congass, tapan, razni obročni bobni, nigerijski udu drums in ostale vrste glinenih tolkal. Poglobljeno je proučeval in še proučuje tudi tradicionalne in sodobne glasbene stile svojega inštrumentarija.

Dr. Rob Canning je irski glasbenik, intermedijski umetnik in pedagog. Produciral je glasbo za gledališke, filmske in plesne produkcije ter delal v različnih kontekstih, med drugim tudi na področju improvizacije. Njegovo delo se od poznih 90. let opira izključno na uporabo FOSS (brezplačne in odprtokodne programske opreme). Živi in ​​dela v Sloveniji, kjer živi z družino in razvija program podeželske umetnosti v okviru Zavoda Rizoma, ki deluje na stičišču tehnologije, permakulture in uprizoritvenih umetnosti.

Kurator Razsrediščenj je Igor Bezget.

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