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Sluhodvod

During 2019, the Sluhodvod Cycle will come to life in five editions, which will include genre-open and media-fluid exploration into sound, visual and relational fields.

It is designed as a place to integrate and connect various media within a musical event. At the production level, it provides an in-depth methodology for creating and co-creating, conceiving and contextualizing, collective creation and comprehending contemporary music. It establishes a platform for extended and more intense searching, experimentation, testing and connecting between musicians (improvisers, contemporary musicians, composers, sound artists), musicologists and other theoreticians and creators in a variety of expressive fields (video, mixed media, writers …).

The project is aimed at promoting and developing musical, sound and advanced performance procedures, principles and methods of creating and receiving artistic content and form. In this, it aims to empower the importance of the reasons that lead an artist to a public artistic act, and also for the audience to recognize the reasoning, the meaning, as well as the selection of procedures, techniques, musical language and other elements. An articulate starting point and comprehensive gestures provide the possibilities for specific artistic and broader social impact. Sluhodvod creates reflection as the starting point and goal of the creative process. It addresses the collective creative process and loosens the theoretical, institutional and technological boundaries.

Permanent authors and performers:
Tisa Neža Herlec, Tilen Lebar, Ivana Maričić, Mauricio Valdés San Emeterio

Photo: Marcandrea

Sluhodvod #1: Resonance

Guest: Staš Vrenko
Sluhodvod #2: Particles
Guests: Neža Bojanić and Noemi Veberič Levovnik
Sluhodvod #3
Guests: Tery Žeželj, Vid Drašler

1.3.2019

Sluhodvod #1: Resonance

Stalni kolektiv:
Tisa Neža Herlec
Tilen Lebar
Ivana Maričić
Mauricio Valdes San Emeterio

Gost dogodka: Staš Vrenko

Resonance je zvočna instalacija v svoji formi in laboratorij v svoji esenci. Obiskovalec postane kurator lastne edinstvene izkušnje, ko se prosto premika po konstruiranih toposih, v katerih se sooči z objekti interakcije, interaktivi, katerih gonilni koncepti so prosta improvizacija, interferenca, empatija, zvočna krajina, imerzija, multisenzorični doživljaj in tako naprej.
Z omogočeno selektivnostjo posameznika pri doživljanju Resonance se meja med ponujenim konkretnim in subjektivnim doživljanjem zabriše. Vzpostavlja se meta-refleksiven proces med človekom, ki kontemplira vire senzoričnih impulzov, in viri, ki se odzivajo na človeka. Pluralizem posamičnih izkušenj je željen in neizbežen, med posamezniki omogoča začetek diskurza.

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