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Sluhodvod

During 2019, the Sluhodvod Cycle will come to life in five editions, which will include genre-open and media-fluid exploration into sound, visual and relational fields.

It is designed as a place to integrate and connect various media within a musical event. At the production level, it provides an in-depth methodology for creating and co-creating, conceiving and contextualizing, collective creation and comprehending contemporary music. It establishes a platform for extended and more intense searching, experimentation, testing and connecting between musicians (improvisers, contemporary musicians, composers, sound artists), musicologists and other theoreticians and creators in a variety of expressive fields (video, mixed media, writers …).

The project is aimed at promoting and developing musical, sound and advanced performance procedures, principles and methods of creating and receiving artistic content and form. In this, it aims to empower the importance of the reasons that lead an artist to a public artistic act, and also for the audience to recognize the reasoning, the meaning, as well as the selection of procedures, techniques, musical language and other elements. An articulate starting point and comprehensive gestures provide the possibilities for specific artistic and broader social impact. Sluhodvod creates reflection as the starting point and goal of the creative process. It addresses the collective creative process and loosens the theoretical, institutional and technological boundaries.

Permanent authors and performers:
Tisa Neža Herlec, Tilen Lebar, Ivana Maričić, Mauricio Valdés San Emeterio

Photo: Marcandrea

Sluhodvod #1: Resonance

Guest: Staš Vrenko
Sluhodvod #2: Particles
Guests: Neža Bojanić and Noemi Veberič Levovnik
Sluhodvod #3
Guests: Tery Žeželj, Vid Drašler

21.11.2019

Sluhodvod #4

Sluhodvod #4 - 21.11.2019 Španski borci

Avtorji ni izvajalci:
Mauricio Valdes San Emeterio, Marko Čeh, Staš Vrenko, Ivana Maričić ter Weonika Partyka

Četrta edicija cikla Sluhodvod je koncipirana kot vaja, v kateri sopostavljamokontrastna dela članov in članic kolektiva. V jedru so zvočne pokrajine bolnišnic inpremislek o (hrupnem) okolju, ki ga zvok soustvarja v zdravstvenih ustanovah.
Z uporabo različnih zvočnih in drugih umetniških virov (npr. konkretna glasba, zvočne metafore itn.) postane dogodek razvijajoča se forma, ki se oddaljuje od utečenih koncertnih protokolov. Zato je tudi funkcija občinstva spremenjena iz pasivne v aktivno in tako opolnomočeno, da spreminja dinamiko dogodka in se neposredno sooča z zagatami, ki jih prinašajo izvajalci.

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