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Zvokotok

A cycle of contemporary composed music

Zvokotok focuses on contemporary composed music. It is defined by the research of compositional procedures and often linked to music technology. It encourages and merges unique sound languages and performative innovativeness and moves contemporary compositions into new spatial and concert forms.
Zvokotok connects established institutional spaces of artistic activity with premises of the dynamic action of NGOs. It implements and maintains unburdened space of dialogue and overcome the artificial distinction between areas and venues of artistic activity.

The program in 2024 is conceived by Luka Juhart.

In 2024, Zvokotok focuses mainly on local creators and performers of contemporary and improvised music. The concerts are conceived as a confrontation of music with other branches of art and a confrontation of "music with music". The concerts bring together different approaches to performance that cannot be heard and seen at the same events. Luka Juhart

The program was conceived by:
2014 Nina Prešiček, Bojana Šaljić Podešva, Luka Juhart
2015 Nina Prešiček, Bojana Šaljić Podešva, Luka Juhart
2016 Tomaž Grom
2017 Jonas Kocher
2018 Tomaž Grom
2019 Primož Trdan
2020 Mauricio Valdés San Emeterio 
2021 Luka T. Zagoričnik
2022 Steven Loy  
2023 Nina Dragičević

15.4.2019

Zvokotok: Schallfeld Ensemble

Zvokotok 15. april ob 20h - ansambel Schallfeld
V sodelovanju s Cankarjevim domom

Fluid Disorder

Ansambel Schallfeld v projektu Fluid Disorder raziskuje razširjeno zaznavo sodobnega zvoka. Glasbeniki želijo podkrepiti izrazne možnosti in čutno, telesno zaznavo sodobne glasbe – v eklektičnem glasbenem poteku združujejo sodobne inštrumentalne teksture, ritmični utrip in glasbeni tok, ki meji na izkušnjo transa, nova dela skladateljev kombinirajo z interludiji Jorgeja Sanchez-Chionga, v interpretacijo skladb pa vpletajo tudi improvizacijo inštrumentalistov in živo elektroniko, ki fragmentira inštrumentalni zvok.

Program:

Hannes Kerschbaumer, Kritzung II, za violino, tri izvajalce z lesenimi zvočili in živo elektroniko (2018)

Andres Gutierrez Martinez, Grain, za ansambel in živo elektroniko (2018, naročilo Ansambla Schallfeld, od podpori Ernst von Siemens Musikstiftung)

Arash Yazdani, Exponential Decay - or There's Nothing to See Here, za ansambel (svetovna premiera)

Jorge Sanchez-Chiong, Funky Achromat, za ansambel, elektroniko in gramofon (2018)

Lorenzo Romano, Furore, za sekstet in živo elektroniko (2016)

S finančno podporo Avstrijskega kulturnega foruma Ljubljana

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