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Zvokotok

A cycle of contemporary composed music

Zvokotok focuses on contemporary composed music. It is defined by the research of compositional procedures and often linked to music technology. It encourages and merges unique sound languages and performative innovativeness and moves contemporary compositions into new spatial and concert forms.
Zvokotok connects established institutional spaces of artistic activity with premises of the dynamic action of NGOs. It implements and maintains unburdened space of dialogue and overcome the artificial distinction between areas and venues of artistic activity.

In 2019 Primož Trdan focuses on the young generation of Slovene interpreters of contemporary music and their integration into foreign ensembles. The program is trying to enrich the established contemporary improvisation procedures by adding certain sound solutions created by young European composers, who originate in the modernistic heritage of the composer's use of varied sound means, noises, environmental and concrete sounds, but create in tight dialogue with the contemporary digital age.

The series that was planned for 2020 by Mauricio Valdés San Emeterio will be dedicated to the ambience sound interpretations of electro-acoustic music from the past and the present.

In 2021 Luka Zagoričnik will create a series dedicated to the heritage of so-called experimental music, which will - within the heritage of contemporary classical music and broader - research the concepts of indeterminacy, minimalism, jazz avant-gardes, improvisational and aleatoric compositions, new notations (prose and graphic notations,...), performances, happenings, political activism and new social relations outside as well as within the musical discourse.

15.4.2019

Zvokotok: Schallfeld Ensemble

Zvokotok 15. april ob 20h - ansambel Schallfeld
V sodelovanju s Cankarjevim domom

Fluid Disorder

Ansambel Schallfeld v projektu Fluid Disorder raziskuje razširjeno zaznavo sodobnega zvoka. Glasbeniki želijo podkrepiti izrazne možnosti in čutno, telesno zaznavo sodobne glasbe – v eklektičnem glasbenem poteku združujejo sodobne inštrumentalne teksture, ritmični utrip in glasbeni tok, ki meji na izkušnjo transa, nova dela skladateljev kombinirajo z interludiji Jorgeja Sanchez-Chionga, v interpretacijo skladb pa vpletajo tudi improvizacijo inštrumentalistov in živo elektroniko, ki fragmentira inštrumentalni zvok.

Program:

Hannes Kerschbaumer, Kritzung II, za violino, tri izvajalce z lesenimi zvočili in živo elektroniko (2018)

Andres Gutierrez Martinez, Grain, za ansambel in živo elektroniko (2018, naročilo Ansambla Schallfeld, od podpori Ernst von Siemens Musikstiftung)

Arash Yazdani, Exponential Decay - or There's Nothing to See Here, za ansambel (svetovna premiera)

Jorge Sanchez-Chiong, Funky Achromat, za ansambel, elektroniko in gramofon (2018)

Lorenzo Romano, Furore, za sekstet in živo elektroniko (2016)

S finančno podporo Avstrijskega kulturnega foruma Ljubljana

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