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Zvokotok

A cycle of contemporary composed music

Zvokotok focuses on contemporary composed music. It is defined by the research of compositional procedures and often linked to music technology. It encourages and merges unique sound languages and performative innovativeness and moves contemporary compositions into new spatial and concert forms.
Zvokotok connects established institutional spaces of artistic activity with premises of the dynamic action of NGOs. It implements and maintains unburdened space of dialogue and overcome the artificial distinction between areas and venues of artistic activity.

In 2019 Primož Trdan focuses on the young generation of Slovene interpreters of contemporary music and their integration into foreign ensembles. The program is trying to enrich the established contemporary improvisation procedures by adding certain sound solutions created by young European composers, who originate in the modernistic heritage of the composer's use of varied sound means, noises, environmental and concrete sounds, but create in tight dialogue with the contemporary digital age.

The series that was planned for 2020 by Mauricio Valdés San Emeterio will be dedicated to the ambience sound interpretations of electro-acoustic music from the past and the present.

In 2021 Luka Zagoričnik will create a series dedicated to the heritage of so-called experimental music, which will - within the heritage of contemporary classical music and broader - research the concepts of indeterminacy, minimalism, jazz avant-gardes, improvisational and aleatoric compositions, new notations (prose and graphic notations,...), performances, happenings, political activism and new social relations outside as well as within the musical discourse.

4.3.2019

Zvokotok: Simon Klavžar

Zvokotok
cikel sodobne komponirane glasbe

Simon Klavžar – tolkala

Program:
Michio Kitazume: Side by Side
Karlheinz Stockhausen: Vibra Elufa
John Psathas: One Study, One Summary - Etude
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Iannis Xenakis: Rebonds
Per Norgard: I Ching - The Gentle, The Penetrating
Andy Akiho: Stop Speaking

Zvokotok se posveča sodobni komponirani glasbi. Zanj je značilna raziskava kompozicijskih postopkov, pogosto v povezavi z glasbeno tehnologijo. Spodbuja in združuje samosvoje zvočne jezike, izvedbeno inovativnost in premeščanje sodobne kompozicije v nove prostorske in koncertne forme.

Zvokotok povezuje prostore ustaljenega institucionalnega umetniškega delovanja s prostori dinamičnega delovanja nevladnih organizacij. Vzpostavlja neobremenjen prostor dialoga in presega umetno razmejitev med področji in prizorišči umetniškega delovanja.

Kurator Primož Trdan v letu 2019 v središče umešča mlado generacijo domačih ustvarjalcev in poustvarjalcev sodobne glasbe in njihovo vpetost v delo s tujimi skladatelji in glasbeniki. Uveljavljenim postopkom sodobne kompozicije, bo program poskušal dodati zvočne rešitve nekaterih mlajših evropskih skladateljev, ki izhajajo tako iz modernistične dediščine skladateljske uporabe razširjenih zvočnih sredstev, šuma, okoljskega, konkretnega zvoka, a snujejo v tesnem dialogu z občutenjem sodobne digitalne dobe.

SIMON KLAVŽAR

Simon Klavžar je profesor tolkal in komorne glasbe na Konservatoriju za glasbo in balet v Ljubljani ter docent na Akademiji za glasbo v Ljubljani. Poleg pedagoškega dela se intenzivno posveča predvsem komorni glasbi in redno sodeluje z ansambli Ensemble Modern Frankfurt, Sonemus Sarajevo, Neofonia Ljubljana, Kompulz in OL-SK duo. Oder si je med drugim delil s člani organizacije Lincoln Chamber Music Society New York ter glasbeniki, kot so Peter Sadlo, Alexej Gerassimez, Katarzyna Mycka, Stefan Hussong, Annika Treutler in Luka Juhart. Klavžarjeva najpomembnejša aktivnost poleg poučevanja je njegov tolkalni duo Drumartica, ki ga od leta 2006 tvori z Jožetom Bogolinom.

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