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Zvokotok

A cycle of contemporary composed music

Zvokotok focuses on contemporary composed music. It is defined by the research of compositional procedures and often linked to music technology. It encourages and merges unique sound languages and performative innovativeness and moves contemporary compositions into new spatial and concert forms.
Zvokotok connects established institutional spaces of artistic activity with premises of the dynamic action of NGOs. It implements and maintains unburdened space of dialogue and overcome the artificial distinction between areas and venues of artistic activity.

In 2019 Primož Trdan focuses on the young generation of Slovene interpreters of contemporary music and their integration into foreign ensembles. The program is trying to enrich the established contemporary improvisation procedures by adding certain sound solutions created by young European composers, who originate in the modernistic heritage of the composer's use of varied sound means, noises, environmental and concrete sounds, but create in tight dialogue with the contemporary digital age.

The series that was planned for 2020 by Mauricio Valdés San Emeterio will be dedicated to the ambience sound interpretations of electro-acoustic music from the past and the present.

In 2021 Luka Zagoričnik will create a series dedicated to the heritage of so-called experimental music, which will - within the heritage of contemporary classical music and broader - research the concepts of indeterminacy, minimalism, jazz avant-gardes, improvisational and aleatoric compositions, new notations (prose and graphic notations,...), performances, happenings, political activism and new social relations outside as well as within the musical discourse.

14.10.2019

Zvokotok: neuverBand

14. okt. ob 20:00 - Zvokotok v klubu CD

V sodelovanju s Cankarjevim domom, Pro Helvetio in Kulturelles.bl

neuverBand

Program: Strune+

Iannis Xenakis, Akea (1986), za klavir in godalni kvartet
Xavier Dayer, De Umbris (2010), za flavto in godalni kvartet
Paul Clift, Le détour permet le retour (2011), za elektroniko, video in godalni kvartet
Arturo Corrales, Tulpa (2017), za klarinet in godalni kvartet

Ansambel neuverBand od svojega nastanka leta 2012 sooblikuje vrhunsko ponudbo sodobne glasbe Basla. Desetčlansko zasedbo, ki nastopa v različnih instrumentalnih kombinacijah, sestavljajo nekdanji študenti podiplomskega programa za sodobno glasbo Akademije za glasbo v Baslu. Pod umetniškim vodstvom skladatelja Paula Clifta predstavljajo tematske sporede glasbe 20. in 21. stoletja, pri čemer veliko pozornost namenjajo mladim skladateljem, naročajo dela pri obetavnih ustvarjalcih in bienalno prirejajo natečaj Construct Radiate za najboljše nove skladbe.

Od nastanka je ansambel naročil preko 20 novih del skladateljev iz Avstralije, Francije, Južne Koreje, Švedske, ZDA, Švice ter tudi iz Slovenije, od koder prihajata dve članici, flavtistka Anja Clift in klarinetistka Valentina Štrucelj. Hkrati si prizadevajo širiti obzorja tudi s promoviranjem skladateljev, ki so poznani v svojem mestu, državi, v določenem kontekstu, niso pa še dosegli najširšega občinstva.

V repertoar redno vključujejo tudi klasike glasbe 20. stoletja – leta 2017 so ob sedemdesetletnici Salvatoreja Sciarrina pripravili portretni koncert z dvema švicarskima premierama in nekaterimi manj znanimi skladateljevimi deli.

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