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Zvokotok

A cycle of contemporary composed music

Zvokotok focuses on contemporary composed music. It is defined by the research of compositional procedures and often linked to music technology. It encourages and merges unique sound languages and performative innovativeness and moves contemporary compositions into new spatial and concert forms. 
 
Zvokotok connects established institutional spaces of artistic activity with premises of the dynamic action of NGOs. It implements and maintains unburdened space of dialogue and overcome the artificial distinction between areas and venues of artistic activity.

In 2026, under the programme direction of Tomaž Grom, Zvokotok foregrounds the question of the sonic gesture as the expressive and conceptual core of contemporary composition, while opening up an exploration of sonic thinking beyond interpretation and repositioning listening within the realms of reflection, materiality, and immediate presence. The materiality of sound and bodily presence shape the sonic experience as a spatial–corporeal event. Zvokotok thus explicitly departs from traditional modes of reading and turns toward the creation of sonic events that respond, reflect, resonate, and evoke without explaining. It affirms music as thought, as action, and as presence.

31 January – Mehka črta, Cankarjev dom, Ljubljana


The program was conceived by:
2014 Nina Prešiček, Bojana Šaljić Podešva, Luka Juhart2015 Nina Prešiček, Bojana Šaljić Podešva, Luka Juhart2016 Tomaž Grom2017 Jonas Kocher2018 Tomaž Grom2019 Primož Trdan2020 Mauricio Valdés San Emeterio 2021 Luka T. Zagoričnik2022 Steven Loy  2023 Nina Dragičević2024 Luka Juhart2025 Urška Pompe 
Past events - click

11.6.2021

Zvokotok: Srž, Cankarjev dom

Zvokotok
11. 6. ob 20.30, Cankarjev dom, Ljubljana

Srž

Ko razmišljamo o zvoku in njegovih žanrskih opredelitvah, pogosto pozabimo na fizični aspekt in lastnosti zvoka samega. Vedno znova se znajdemo v neskončnih razpravah o estetskih preferencah in kulturnem melosu, pravzaprav pa odpiramo vprašanja, ki se v svoji esenci dotikajo ravno tega, kar nas na nekakšen način vzpodbuja k hierarhiji opredelitev in njihovim kvalitativnim predstavam. Kaj se zgodi, če prisluhnemo zvoku in ne dovolimo, da bi hierarhija opredelitev determinirala naša občutja? Če dovolimo zvoku, da vpliva na nas s fizičnega vidika, se lahko ob tokratnem sodelovanju umetnikov na koncertnem prizorišču - prepustimo glasbi. Inštrumentalna operacija fizičnega fenomena v elektroakustičnem prostoru v sodelovanje združuje zasedbo umetnikov, akustični prostor in modus operandi.

Program

1. Artep (T. Lebar)
2. Aures/Tinnitus/Globulis (D. Gnezda)
3. Giri (T. Lebar)

Glasba in zasnova: Tilen Lebar in Domen Gnezd
Zasedba:
- Tilen Lebar: saksofon, elektronika;
- Domen Gnezda: elektronika, kitara;
- Szilard Benes: klarinet;
- Jošt Drašler: kontrabas;
- Bojan Krhlanko: bobni


V sodelovanju s Cankarjevim domom.

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