Zavod Sploh
CPG impro - Čučnik, Pepelnik, GromArchivePhotography

CPG impro - Čučnik, Pepelnik, Grom

Primož Čučnik – amplified objects, turntable, feedback, texts
Ana Pepelnik – speech
Tomaž Grom – amplified objects, electronics, double bass

Impro by Primoz Čučnik, Ana Pepelnik and Tomaž Grom is an interactive improvisation of spoken word (a text collage) and sound picture. Grom and Čučnik create sound with the aid of instruments, loudspeakers, percussions, toys, and other »primitive« sound sources (white noise), as well as with the active use of gramophone, computer and the sound characteristis of the space. Impro is an attempt to combine different audio modes: »words, sounds, noise, rustle, silence«, which are understood, in the light of twentieth-century free and innovative developments in music, as equally constitutive parts of the whole.
»Sound in becoming: not in relation to silence, but in relation to itself, the sounds from various sources, which are in fact one sound - elementary, monosyllabic, Sound emerging out of the one Mouth of silence. [...] Abstraction, full of playfulness, slowly and unmistakably drifting into memory.« (Blaž Lukan)

16.5.2024

CPG impro, Luda knjigarna, Trubarjeva 51 ob 20h

Primož Čučnik (mala zvočila, gramofon, povratna zanka, teksti)
Ana Pepelnik (govor, glas)
Tomaž Grom (mala zvočila, elektronika, kontrabas)

Nastop Primoža Čučnika, Ane Pepelnik in Tomaža Groma (CPG) je interakcija govorjene besede in eksperimentalne zvočne slike, ki ne rabi zgolj kot podlaga glasovno-pomenskemu nastopu, temveč se oba medija medsebojno dopolnjujeta in sodelujeta na način godbene improvizacije. Grom in Čučnik gradita zvočnost s pomočjo kontrabasa, zvočil in igral, uporabnih predmetov, najrazličnejših tolkal in »primitivnih« izvirov zvoka (npr. igrače, radijski šum, itn.) ali z eksperimentalno rabo gramofona. Ana Pepelnik branje tekstovnega kolaža nadgrajuje s trenutnimi prebliski, menjavanjem glasovnih leg in hitrosti branja, krajšimi ponavljanji in podobno. Nastop je poskus povezovanja različnih govoric »besede, zvoka, hrupa, šuma, tišine«, ki jih akterji v luči sodobnih in inovativnih tokov v glasbi dvajsetega stoletja razumejo kot enakovredne dele celote.

Follow us
and stay informed