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Sound (Dis)obedience

(Ne)poslušno 2024
27.-30. 3. 2024, Španski borci

Sreda 27. 3. 2024
Heredrum (2014)
Tao G. Vrhovec Sambolec
Nenapovedana zvočna intervencija v javnem prostoru*
Video dokumentacija intervencije bo na ogled v Španskih Borcih v času festivala (Ne)poslušno 2024.

Četrtek 28. 3. 2024
DARA Strings (Biliana Voutchkova, Isidora Edwards, Elisabeth Coudoux, Joanna Mattrey)
Luka Zabric, Margaux Oswald, Aurelijus Užameckis
Sabine Vogel, Emilio Gordoa
 
Petek 29. 3. 2024
Taiko Saito, Jan Roder, Michael Griener
Chris Pitsiokos
Joke Lanz**, Sophie Agnel

Sobota 30. 3. 2024
koncert udeležencev delavnice
Lê Quan Ninh
Kaja Draksler, Lena Hessels, Andy Moor, Marta Warelis, Samo Kutin, Macio Moretti
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Urnik glasbene delavnice, ki jo usmerja Chris Pitsiokos:
28. 3.-30. 3. od 14h – 17h + nastop udeležencev 30. 3. ob 20h.
Prijave na zavodsploh@gmail.com
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(Ne)poslušno že od leta 2012 nastaja v produkciji Zavoda Sploh v sodelovanju z zavodom En-Knap in Španskimi borci.
Sofinancirata ga Ministrstvo za kulturo Republike Slovenije in Mestna občina Ljubljana.
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*
Heredrum (2014) je del umetniško raziskovalnega projekta Ritmi prisotnosti.
10 bobnark in bobnarjev, trajanje 30 minut ali več
Povezava: https://www.taogvs.org/rhythms-of-presence-research
Producenti: Zavod SPLOH, Ljubljana, Zavod Projekt Atol, Ljubljana, Projekt je nastal pod okriljem Norwegian Artistic Research Programa na Akademiji za umetnost in oblikovanje v Bergnu – KHiB (2013 – 2016)
**
S podporo The Swiss Arts Council Pro Helvetia
Sound (Dis)obedience is co-financed by the Ministry of Culture of the Republic of Slovenia and Municipality of Ljubljana.

Sound (Dis)obedience is engaged in staging, development, reflection and dissemination of research practices in music and sound. An assembly of diverse events, meetings, presentations of publishing activities, the implementation of international networks and discussions behind the bar multifacetedly address this diverse creative field. Sound (Dis)obedience brings together guest musicians, interested local artists, audiences and the professional public. As such, it is not only a festival of certain music, but also and above all an realization of openness, cooperation and flexibility.

Sound (Dis)obedience is a space for exchange, where by way of concerts, workshops, lectures, and other forms, different border-line musical practices can interact with each other.

Curator: Tomaž Grom

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