Here we are again, without knowing exactly where we're
going. But we know why. Because sound moves us, provokes us, and brings us together.
Sound
(Dis)obedience brings questions, vibrations,
movements, tension — a space for surprise, discovery, and connection. Come. Listen. Or don’t.
Sound
(Dis)obedience is the best festival in the world.
As always, this year we expect: the most virtuosic and exciting performers,
global stars who play in the world’s most prestigious venues, some of the
finest musicians alive (or even, arguably, dead), and composers whose works
dominate the grandest stages. They are, simply put, victorious in every sense.
Oh, and let’s not forget: the most esteemed, top-tier, cutting-edge, legendary,
masterful, magnificent, and exceptional artists.
In short, Sound
(Dis)obedience will take you on an unforgettable
musical journey that you absolutely cannot miss. Hahaha.
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Sound (Dis)obedience is engaged in staging, development, reflection and
dissemination of research practices in music and sound. An assembly of
diverse events, meetings, presentations of publishing activities, the
implementation of international networks and discussions behind the bar
multifacetedly address this diverse creative field. Sound (Dis)obedience
brings together guest musicians, interested local artists, audiences
and the professional public. As such, it is not only a festival of
certain music, but also and above all an realization of openness,
cooperation and flexibility.
Sound (Dis)obedience is a space for exchange, where by way of
concerts, workshops, lectures, and other forms, different border-line
musical practices can interact with each other.
