Zavod Sploh
Sound (Dis)obedienceArchiveCriticsPhotography

Sound (Dis)obedience

Sound (Dis)obedience 2027
March 25–27 2027 – Španski borci, Ljubljana

We are not accepting proposals. Thank you for not submitting them and thank you for your understanding!
Here we are again, without knowing exactly where we're going. But we know why. Because sound moves us, provokes us, and brings us together.
Sound (Dis)obedience brings questions, vibrations, movements, tension — a space for surprise, discovery, and connection. Come. Listen. Or don’t.
Tomaž Grom, artistic director of the festival
 
Or, to put it another way:

Sound (Dis)obedience is the best festival in the world. As always, this year we expect: the most virtuosic and exciting performers, global stars who play in the world’s most prestigious venues, some of the finest musicians alive (or even, arguably, dead), and composers whose works dominate the grandest stages. They are, simply put, victorious in every sense. Oh, and let’s not forget: the most esteemed, top-tier, cutting-edge, legendary, masterful, magnificent, and exceptional artists.

In short, Sound (Dis)obedience will take you on an unforgettable musical journey that you absolutely cannot miss. Hahaha.
____________________________________________________________________

Sound (Dis)obedience is engaged in staging, development, reflection and dissemination of research practices in music and sound. An assembly of diverse events, meetings, presentations of publishing activities, the implementation of international networks and discussions behind the bar multifacetedly address this diverse creative field. Sound (Dis)obedience brings together guest musicians, interested local artists, audiences and the professional public. As such, it is not only a festival of certain music, but also and above all an realization of openness, cooperation and flexibility.
 
Sound (Dis)obedience is a space for exchange, where by way of concerts, workshops, lectures, and other forms, different border-line musical practices can interact with each other.

27.3. - 30.3.2200

Neposlušno 2024

(Ne)poslušno 2024
27.-30. 3. 2024, Španski borci

Sreda 27. 3. 2024
Heredrum (2014)
Tao G. Vrhovec Sambolec
Nenapovedana zvočna intervencija v javnem prostoru*
Video dokumentacija intervencije bo na ogled v Španskih Borcih v času festivala (Ne)poslušno 2024.

Četrtek 28. 3. 2024 ob 20h
DARA Strings (Biliana Voutchkova, Isidora Edwards, Elisabeth Coudoux, Joanna Mattrey)
Luka Zabric, Margaux Oswald, Aurelijus Užameckis
LandStages/Sonic Relocations (Sabine Vogel, Emilio Gordoa)
 
Petek 29. 3. 2024 ob 20h
Taiko Saito, Jan Roder, Michael Griener
Chris Pitsiokos
Joke Lanz**, Sophie Agnel

Sobota 30. 3. 2024 ob 20h
koncert udeležencev delavnice
Lê Quan Ninh
matter 100 (Kaja Draksler, Lena Hessels, Andy Moor, Marta Warelis, Samo Kutin, Macio Moretti)
________________________________________________________________________________

Urnik glasbene delavnice, ki jo usmerja Chris Pitsiokos:
28. 3.-30. 3. od 14h – 17h + nastop udeležencev 30. 3. ob 20h.
Prijave na zavodsploh@gmail.com
________________________________________________________________________________
 
(Ne)poslušno že od leta 2012 nastaja v produkciji Zavoda Sploh v sodelovanju z zavodom En-Knap in Španskimi borci.
Sofinancirata ga Ministrstvo za kulturo Republike Slovenije in Mestna občina Ljubljana.
________________________________________________________________________________
*
Heredrum (2014) je del umetniško raziskovalnega projekta Ritmi prisotnosti.
10 bobnark in bobnarjev, trajanje 30 minut ali več
Povezava: https://www.taogvs.org/rhythms-of-presence-research
Producenti: Zavod SPLOH, Ljubljana, Zavod Projekt Atol, Ljubljana, Projekt je nastal pod okriljem Norwegian Artistic Research Programa na Akademiji za umetnost in oblikovanje v Bergnu – KHiB (2013 – 2016)
**
S podporo The Swiss Arts Council Pro Helvetia

Critics

pokaži vse

Follow us
and stay informed