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digital 1.5

digital 1.5

The digital 1.5 project is a series of five staging events that explore touch. Each event is an independent attempt to haptically read the world with a digital understanding of the physicality and the practice of mutual closeness and the coexistence of objects to which viewers are invited. The selected group of bodies establishes contact with other bodies in space – with the bodies of performers, the body of space, the sonic body, and the bodies of technological objects. The latter is an increasingly important interface for our entry into the world. By using them, the digital 1.5 questions the mediatization of closeness and intimacy, and by applying the solid digital logic of devices and their software to the soft organic bodies of people, it speculates about man, who is not only a source of information, but also a device for processing and storing data.

The touch in the digital 1.5 is a way of communicating and a means of encountering the other; it is a digitized data and a transmission medium at the same time. The project builds on the idea of ​​the medium as given by Y. Citton in his book The Ecology of Attention. The author describes the media as diffuse ecosystems that not only represent reality, but they actively form it. Thus, an ‘infrastructure of resonances that condition our attention’ is formed according to the ideas that ‘surround and fulfil us’. In this respect, thedigital 1.5 is not in search of a loud staging gesture, but it wants to provide a space of visibility or, in Citton's language, an environment of reasoning for increasingly marginalized and, at the time of the pandemic, transgressive practices of mutual closeness and touching.

digital 1.5.3
Art direction: Jan Rozman
Performers: Leon Marič, Jan Rozman, Mojca Sovdat
Music: Luka Seliškar
Costume design: Tanja Pađan / Kiss the Future
Video documentation: Juš Jeraj
Photography: Nada Žgank
Executive producer: Brigita Gračner
Kino Šiška, 27.9.2021

digital 1.5.2
Art direction: Jan Rozman
Performers: Maja Kalafatić, Leon Marič
Music: Luka Seliškar
Costume design: Tanja Pađan / Kiss the Future
Video documentation: Juš Jeraj
Photo: Marijo Župan
Executive producer: Brigita Gračner

25. 6. 2021, Tivoli, Ljubljana


digital 1.5.1
study / installation
Art direction: Jan Rozman
Performers: Beno Novak, Julija Pečnikar, Jan Rozman, Liza Šimenc
Music: Luka Seliškar
Costume design: Tanja Pađan / Kiss the Future
Video documentation: Juš Jeraj
Photo: Marijo Župan
Executive producer: Brigita Gračner

31. 5. 2021, Fotopub, Ljubljana

12.3. - 13.3.2200

Kristina Aleksova in Anita Wach: Trenutek, ko vse obstane, Cukrarna

12. 3. 2025 ob 20h, 13. 3. 2025 ob 19h
Cukrarna Ljubljana

Trenutek, ko vse obstane
Kristina Aleksova in Anita Wach

Fizika
Zemlja se vrti okoli svoje osi s hitrostjo 1600 km na uro. Hitrost gibanja Sonca okoli središča Galaksije je 792.000 km na uro. Rimska cesta se vrti s hitrostjo 270 kilometrov na sekundo, za en obrat pa potrebuje približno 200 milijonov let. Tako hitro bomo med performansom drveli skozi vesolje.

Meta
Neskončno vrtenje je edino stabilno stanje sveta, ki ga poznamo. Tako kot vračanje starih paradigem kot nečesa povsem novega. Podvrženi smo temu repetitivnemu ciklu. Ekspanzionizem se vrača. Puritanizem vzhaja. Suženjstvo se ni nikoli zares končalo. Priča smo trdovratnemu vračanju končnih rešitev. Orjaški zidovi. Modularna taborišča za migrante. Riviere smrti. Še vedno sanjamo o spremembah in večnem miru.

Utopija
Zagotovo obstajajo alternative, ki pa so enako zagotovo zunaj našega dosega. Možnosti, da bi se ustavili, nimamo v svojih rokah. Morda je imel komunistični filozof Evald Iljenkov prav, morda se lahko ustavimo samo tako, da namerno povzročimo samomorilsko eksplozijo. Morda pa nam ta “optimistična” vizija ni všeč. In se vztrajno, obrat za obratom, odvijamo v prihodnost.

Poiesis repeticij
Gibljemo se v ciklih – lovimo se, se upiramo in prepuščamo. Telesa, ujeta med silo in upočasnjevanjem, preizkušajo meje svojih navad in težo vztrajnosti. Nekatera silijo naprej – hitreje, hitreje – druga zavirajo in vlečejo proti toku. Eno obstane na robu miru, zavrača naglico. Čas ni nekaj podarjenega; meri se v naporu, raztegnjen in upognjen je po naši volji, je tihi upor neizogibni vleki. Zapleteni v gravitacijo lastnih želja rišemo nevidne orbite, obračamo se proti tistemu ali stran od onega. Kako dolgo je še do naslednjega velikega premika? Kdo bo tu, da bi ga videl? In ali sploh šteje, če se gibljemo še naprej?

Koreografija nebesnih teles: Kristina Aleksova
Koreografska naracija: Anita Wach
Izvedba: Loup Abramovici, Polett Kasza, Anita Wach, Kristina Aleksova
Glasba: Eduardo Raon
Objekti: Matej Stupica
Oblikovanje svetlobe: Špela Škulj
Producentka: Špela Trošt
Produkcija: Via Negativa
Koprodukcija: Zavod Sploh
Soorganizator: Cukrarna/MGML, v okviru programskega cikla Performativa IV
Partner: DSPS
Hvala: Bojan Stefanović, Tomo Per

Izvirno zamisel je zasnovana Kristina Aleksova v okviru cikla Ventilator (Zavod Sploh, 2023).

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