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digital 1.5

digital 1.5

The digital 1.5 project is a series of five staging events that explore touch. Each event is an independent attempt to haptically read the world with a digital understanding of the physicality and the practice of mutual closeness and the coexistence of objects to which viewers are invited. The selected group of bodies establishes contact with other bodies in space – with the bodies of performers, the body of space, the sonic body, and the bodies of technological objects. The latter is an increasingly important interface for our entry into the world. By using them, the digital 1.5 questions the mediatization of closeness and intimacy, and by applying the solid digital logic of devices and their software to the soft organic bodies of people, it speculates about man, who is not only a source of information, but also a device for processing and storing data.

The touch in the digital 1.5 is a way of communicating and a means of encountering the other; it is a digitized data and a transmission medium at the same time. The project builds on the idea of ​​the medium as given by Y. Citton in his book The Ecology of Attention. The author describes the media as diffuse ecosystems that not only represent reality, but they actively form it. Thus, an ‘infrastructure of resonances that condition our attention’ is formed according to the ideas that ‘surround and fulfil us’. In this respect, thedigital 1.5 is not in search of a loud staging gesture, but it wants to provide a space of visibility or, in Citton's language, an environment of reasoning for increasingly marginalized and, at the time of the pandemic, transgressive practices of mutual closeness and touching.

digital 1.5.3
Art direction: Jan Rozman
Performers: Leon Marič, Jan Rozman, Mojca Sovdat
Music: Luka Seliškar
Costume design: Tanja Pađan / Kiss the Future
Video documentation: Juš Jeraj
Photography: Nada Žgank
Executive producer: Brigita Gračner
Kino Šiška, 27.9.2021

digital 1.5.2
Art direction: Jan Rozman
Performers: Maja Kalafatić, Leon Marič
Music: Luka Seliškar
Costume design: Tanja Pađan / Kiss the Future
Video documentation: Juš Jeraj
Photo: Marijo Župan
Executive producer: Brigita Gračner

25. 6. 2021, Tivoli, Ljubljana


digital 1.5.1
study / installation
Art direction: Jan Rozman
Performers: Beno Novak, Julija Pečnikar, Jan Rozman, Liza Šimenc
Music: Luka Seliškar
Costume design: Tanja Pađan / Kiss the Future
Video documentation: Juš Jeraj
Photo: Marijo Župan
Executive producer: Brigita Gračner

31. 5. 2021, Fotopub, Ljubljana

12.9.2026

Ventilator #2: ff – jaz smo

Vitja Balžalorsky – elektronika
Nataša Živković – plesno/performativna intervencija 
Produkcija: Špela Trošt za Zavod Sploh

Dogodek v okviru festivala Bučno na Lesnem Brdu dne 12. 9. 2026

Za uvod najprej citat: »Rojen sem konec avgusta 1913 kot človeško bitje moškega spola. Ne vem točnega datuma. Čakali so nekaj dni, da so se prepričali, ali bom preživel /…/. Rojen sem dve uri pred sončnim vzhodom kot vinska mušica. Umrl bom drevi po sončnem zahodu. /…/ Vedno sem bil rojen. Še vedno se spomnim začetka ledene dobe in konca hladne vojne. Pogled na umirajoče dinozavre (v obeh dobah) je nekaj najbolj neznosnega, kar sem videl. Nisem se še rodil. Se še bom. Star sem minus sedem mesecev. /…/ Rep se mi postopoma zmanjšuje. Žival v meni odhaja, mahajoč mi s svojim izginjajočim repom. Kaže, da sem izbran za človeško bitje. Tukaj je temno in prijetno, privezan sem na nekaj, kar se premika. /…/ Jaz smo.« (Georgi Gospodinov: Fizika žalosti)

Sledi parafraza uvoda:

Prekvalificirala se bom v stropno luč (da ti lahko venomer svetim).

Prekvalificirala se bom v knjižno kazalo (da z mano začenjaš in nehavaš, da z mano označiš stran).

Postala bom tvoj najbolj oster kuhinjski nož (da ne pozabiš na »ontološko rano«, kot bi rekla Zala D.) in tvoja najbolj zelena sobna rastlina (da ne pozabiš dihati).

Rodila se bom kot spomin (fotografija z morja), kot mačka, ki jo božaš, kot vonj sivke s Krasa, ki odganja molje v tvoji omari.

Bom tvoj obrazec z Ministrstva za kulturo, izpolnjen zaman.

Zaključek: Manj poetično, bolj praktično, faktično in razumljivo:

Druga edicija Ventilatorja se bo zgodila na festivalu Bučno na Lesnem Brdu dne 12. 9. 2026, nekje sredi dneva. Naslov ff izhaja iz glasbene oznake fortissimo  za dinamiko oz. jakost/glasnost izvajanja in se v tem smislu spogleduje s poimenovanjem dogodka samega. In ker ne moremo in ne smemo biti tiho. Ker: jaz smo. Gospodinov je to pomembno stvar ubesedil na najkrajši možni način. Ventilator mi daje možnost, da prevetrim sebe umetniško, premotrim svoje ideje, hiperventiliram pozicijo, odprem fokus, stopim v dialog s časom, prostorom, zvokom, mislijo. Da si vzamem čas. V performativno-zvočnem dialogu se bova tako iznajdevala, izgubljala in iskala Nataša Živković in Vitja Balžalorsky. Toplo vabljeni!

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