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Meetings

Meeting 3: Trip-tih

Trojka (Jurij - Samo - Katja) sets the third stage as a series in three "episodes" over three days in three different venues. Samo lives in Lesni Brdo, Katja in Krušče, and Španski borci are almost like a home stage. There has always been quite some time between editions so far, this time three improvised performances take place in a condensed manner, one after the other, in three days. Ventilator in new spatio-temporal coordinates.

22.09.2020, Pri Samu, Lesno Brdo
23.09.2020, Pri Katji, Krušče
24.09.2020, Španski borci, Ljubljana

Meeting 2: Katja Legin, Jurij Konjar, Samo Kutin

In addition to the new combination – Katja, Jurij and multi-instrumentalist Samo Kutin – the second edition was also marked by a new experience of “theater” after three months of self-isolation. They spent one work week together and built toward the show.

05.06.2020, Španski borci, Ljubljana

Meeting 1: Katja Legin, Jurij Konjar, Zlatko Kaučič

1. MEETING: a situation where two or more people meet, randomly or by agreement. Meeting of Zlatko, Jurij and Katja. Meeting of Katja, Zlatko and Jurij at every public event. Meeting of Katja, Jurij and Zlatko with the audience at each of these events. Meeting as potential for change. Meeting as a space of confrontation and negotiation between me and you, between me and us. Meeting someone other as (my) mirror.
2. CONVERSATION: conversation as a way of exchange. Exchange between Zlatko, Jurij and Katja. An exchange between Jurij, Katja, Zlatko and the audience present at each event. Conversation as listening. Conversation as saying oneself in front of another. Conversation as silence between question and answer, between what is said / realized and the response to it.
3. IMPROVISATION AND COMPOSITION at the same time. Improvisation is composing, composing is improvisation. Is this true? But? What is the relationship? When do I do what? What do we do together?
4. EVENT: anything that happens, especially important or unusual. An event in the context of performing arts. Meeting as an event. Conversation / exchange as an event. An event like the moment we all know it’s happening now. When it happens, we don’t care if it was a composed or improvised moment. An event as a moment that gives meaning to the presence (Jurij, Zlatko, Katja and the audience).

16.01.2020, Španski borci, Ljubljana

20.2.2020

Ventilator: Prevajanje Valeske (Flier, Z. Tomažin)

Irena Z. Tomažin in Jule Flierl

V skupnem prihajajočem delu ju zanima prevajanje plesa v glas ter obratno in vse, kar se v tem procesu ne samo izgubi, popači ter predvsem spodleti, ampak se tudi zamaskira oziroma se (z)laže. Glas kot medij sporočanja nekako samoumevno in poenostavljeno jemljemo za nekakšno zvočno zrcalo tega, kar se dogaja pred našimi očmi. Telo se na drugi strani obravnava kot “stvar samo”, kot ultimativni in primarni medij, preko katerega se pretaka resnica nas samih kot fizičnih bitij - navkljub dejstvu plesnih, igralskih teles, ki so verjetno najbolj umetelna družbena telesa, ki s svojo trenirano “kulturo” najdlje stojijo od “nature”. Ko glas poslušamo mimo in izven besed, nas najbolje ogoloti kulture (razen če ni vpet v strogo določene glasbene žanre) in s tem je tisto “unheimlich” nekaj, kar nas kot kulturna bitja najbolj vrže nazaj v tisto primitivno, torej “naturo”. Če predpostavimo, da je plesno telo tisto nekaj najbolj “kulturno” in glas, slečen besed, tisto nekaj najbolj “naravno”, je ta prevod že spodletel. Kljub temu je komunikacija med telesom in glasom  neumorna.

Avtorici bi v projektu združili in skupno preizkusili svoje pretekle metode dela, vezane na glas in (plesno) telo, in se lotili teme prevoda tudi s stališča dejstva, da obe govorita različni materni jezik, ter same sebe že prevajata druga drugi. Začetni material iz katerega črpata, je skoraj pozabljeno delo izredne performerke in “prve vokalne plesalke” Valeske Gert. Z njenim delom in umetniško zapuščino se je Jule Flierl izčrpno ukvarjala v svojem zadnjem solo performansu in tudi skozi lastno teoretsko delo.

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