Zavod Sploh
La Isla BonitaUpcoming

La Isla Bonita

inframe of cycles Ventilator 2022

Concept and script: Varja Hrvatin
Authors: Varja Hrvatin, Lina Akif, Leon Marič, Anja Romih, Vid Merlak, Simeon Perich

Performers: Lina Akif in Leon Marič
Video: Anja Romih
Music: Vid Merlak (DVMIR) in Simeon Perich (SHAO)

La isla bonita is a cycle of hybrid events combining performance art and contemporary club music. It's a series of five site-specific experiments which deal with the »hype*« phenomenon and the various strategious it exploits. In terms of content and the narrative, La isla bonita is questioning the constant challenges and pressures of (re)creating content and its potential for the production of »hype«. What are the ways in which »hype« is generated and is there any content hidden behind it? Through various strategies of confronting contemporary club music with public non-performative spaces, La isla bonita explores the role and the power of »hype« in experiencing and valuing content – both on social media as well as in the context of art.
*Hype refers to artificially created expectations around a person or a product whose promotional campaing and image have been built from overestimating their traits and characteristics.

Production: Zavod Sploh and Via Negativa

LA ISLA BONITA ON DEMAND
29.01.2023 at 7 pm
Starting point: Španski borci
Performers: Leon Marič, Živa Selan, Lina Akif, Julija Pečnikar
We invite you to the after-new-year race on the island of La Isla Bonita. An exploration of hidden corners, deserted beaches and hype bays. We begin our race at 7 pm and venture on binging the new season of Bonita reality. Bring warm clothes, your smartphones and a cheerful spirit. Welcome to race away with us!
LA ISLA BONITA@NOVO LETO
31.12. at 10 pm, main hall, Španski borci
In cooperation with EN-KNAP and Španski borciLA ISLA BONITA@NEW YEAR is the resulting hybrid event combining performance and contemporary club music from the cycle Ventilator. It is composed of LA ISLA BONITA performance and clubbing event AFTER LA ISLA BONITA. New Year, as an evening and as an event, represents the ultimate culmination of »hype«. It establishes the concept of a turning point of great alternations and determinating effects. La isla bonita is a construct of a game that never ends. It is a game, trapped in the constant production of content. It dribbles the questions of expectations, resolutions, superstitions, ritual, sacrifice and (dis)utopia.
LA ISLA BONITA@LPP
22.11. at 6 pm
Starting point: bus station Bavarski dvor (Kora bar)
In collaboration with LPP.
We invite you for an autumn escape from the city center; a collective journey through Ljubljana’s public transportation. The boarding on the bus begins at 6pm, when we embark on the exploration of the peripheral areas of Ljubljana. Bring your Urbana cards, monthly bus passes and a cheerful spirit! Welcome to travel away with us!
LA ISLA BONITA@EMONA9.10. ob 18.00
⛵️⛵️⛵️ Vabljeni na zaključek poletja; večerno plovbo skozi pravljično osrčje mestnega jedra. Plovbo do isle bonite pričenjamo ob 18h ter se podajamo na skrivnostno odkrivanje globočin reke Ljubljanice. Prinesite pametne telefone, senčnike in veliko dobre volje. Dobrodošli, da plujete z nami! ⛵️⛵️⛵️
LA ISLA BONITA@CIELITO LINDO
27.6. at 8.pm at Cielito Lindo
In collaboration with CIELITO LINDO.
🏝🏝🏝 We invite you into the beginning of vacation; an evening of summer fun, great music, delicious drinks and seaside delights. We begin the event at 8pm, but we sail to isla bonita until sunrise. Bring cash, flip-flops and a cheerful spirit. Welcome anytime! 🏝🏝🏝



26.10.2020

Ventilator: Jule Flierl in Irena Z. Tomažin

26.10. Jule Flierl & Irena Tomažin - Alien Voices - sounddance
mednarodno gostovanje projekta Ventilator – festival Labor Sonor, Kunsthaus Kul.e, Berlin


Jule Flierl in Irena Tomažin Zagoričnik več let načrtujeta skupni projekt, že vsaj od leta 2012, ko sta se spoznali v projektu Tina Sehgala na Festivalu DOCumenta 13. Avtorsko delo obeh preči odnos glasu in telesa v performativnih praksah.
V skupnem prihajajočem delu ju zanima prevajanje plesa v glas ter obratno in vse, kar se v tem procesu ne samo izgubi, popači ter predvsem spodleti, ampak se tudi zamaskira oziroma se (z)laže. Glas kot medij sporočanja nekako samoumevno in poenostavljeno jemljemo za nekakšno zvočno zrcalo tega, kar se dogaja pred našimi očmi. Telo se na drugi strani obravnava kot “stvar samo”, kot ultimativni in primarni medij, preko katerega se pretaka resnica nas samih kot fizičnih bitij - navkljub dejstvu plesnih, igralskih teles, ki so verjetno najbolj umetelna družbena telesa, ki s svojo trenirano “kulturo” najdlje stojijo od “nature”. Ko glas poslušamo mimo in izven besed, nas najbolje ogoloti kulture (razen če ni vpet v strogo določene glasbene žanre) in s tem je tisto “unheimlich” nekaj, kar nas kot kulturna bitja najbolj vrže nazaj v tisto primitivno, torej “naturo”. Če predpostavimo, da je plesno telo tisto nekaj najbolj “kulturno” in glas, slečen besed, tisto nekaj najbolj “naravno”, je ta prevod že spodletel. Kljub temu je komunikacija med telesom in glasom  neumorna.

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