Zavod Sploh
Špela Trošt: 636,78UpcomingArchivePhotography

Špela Trošt: 636,78

photo: Tomaž Grom
photo: Tomaž Grom
Work of the opus Let’s Work! (2022–2023) by Loup Abramovici, Tomaž Grom, Teja Reba, Špela Trošt

Action in duration
Concept, text, performance: Špela Trošt

29. 1. 2023, Museum of Contemporary Art Metelkova, Ljubljana
9. 9. 2023, festival Venere in teatro, Forte Maghera, Mestre-Venezia

Performance
Concept: Špela Trošt
Text, performance: Marjeta Kamnikar, Liana Kalčina, Špela Trošt, Marija Pantić, Vesna Godler, Mary Anne Blanche

24.4.2023, Old Power Station – Elektro Ljubljana
25.4.2023, Old Power Station – Elektro Ljubljana
2. 12. 2023, Celjski dom, Celje
2.–3. 2. 2024, Hangar teatri, Triest, Italy
18. 5. 2024, Inkubator, Maribor

Production: Teja Reba
Coproduction: Zavod Sploh
Partner: Moderna galerija, Zavod Bunker
Financial support: Ministry of Culture of the Republic of Slovenia

29. 1. 2023, Museum of Contemporary Art Metelkova

Photography: Marcandrea
“Please be informed that the conditions for entitlement to an Old Age Pension under Article 27 of the Pension and Disability Insurance Act (Official Gazette of the Republic of Slovenia, No.69/12, 39/13, 102/15, 23/17, 40/17, 65/17, 28/19, 75/19, 139/20, 51/21, 121/212, 162/21, 10/22, and 29/22 – hereinafter referred to as ZPIZ-2) are expected to be fulfilled by you on 17 June 2029 when you have reached the age of:
- 65 years, 0 months, and 0 days of age, and
- 39 years, 5 months, 3 days of pensionable age. (Information on the expected amount of Old Age or Early Retirement Pension. No 10345-24269/2022. Ljubljana: ZPIZ, 19 October 2022)”

In her work booklet says:
- Professor of Italian and Slovenian
- Master of Dramatic Studies
As it was abolished on 1.1.2009, it does not say in her work booklet
- Doctor of Philosophy and Theory of Visual Culture

The Old Age Pension would be:

“My body as a visible thing is the content in a big scene. But my seeing body supports this visible body and with it everything that is visible.” (Merleau-Ponty, Maurice. 2000. The Visible and the Invisible. Phainomena. Ljubljana: Nova revija, 122)

The traces of work are inscribed in the body. The body is inscribed with experiences from birth to death, the experiences of generations before us, genetic and social memory, and historical and cultural affirmations.
Interventions on and in the contemporary body are increasingly radical. The dictatorship of appearance is giving rise to two distinctly opposing phenomena, cosmetic surgery and the alternatively marked tattooing and piercing.
She insists on the (in)effective, (un)durable, (im)perfect, (un)emancipated, (in)sufficient, (im)potent, and obsolete in her own body.

Let’s Work! (20222023) deals with the problem of work. It invites us, through various artistic situations set in specific environments, to reflect on the meaning and value of work, the ways in which we experience work in everyday life, and how art is at work. In the first chapter (2022), artworks are contextualized in locations that play a constructive role in society in terms of the formulation of labor policies, and more specifically the formulation of strategies in the field of cultural labor, in public services that respond to labor problems, in institutions that educate the upcoming workforce, and in spaces that play a role in contemporary art practices. The spatial and temporal positioning of works for (re)viewing by both institutional staff and invited and casual visitors aims to widen the field of visibility of the artwork and its reception. In the second chapter (2023), the artworks will be presented in their entirety in exhibition and performance formats.

2.12.2023

Teja Reba, Špela Trošt: Praznik dela, Celjski dom ob 19:30

Teja Reba, Špela Trošt: Praznik dela
02. 12. 2023, Celjski dom ob 19:30

Zakaj delaš?

1.     Ne morem, ne da bi delal. Zame je to zaveza, ki je ne narekuje racionalnost, ampak instinkt in notranja potreba.
2.     Delam, da bi preživel.
3.     Da bi našla lepoto.
4.     Delam, ker moram vzdrževati ta sistem, da bi lahko preživel v družbi, v kateri živim. Sicer bi me imeli za norca, bedaka, me strpali v norišnico za vse življenje na stroške so-državljanov, so-bratov, ki plačujejo veliko davkov, da bi me vzdrževali v psihiatrični bolnišnici.
5.     Ker moram živeti.
6.     Ne delam, sem slikar.
7.     Ker sem v sistemu, iz katerega ne morem.
8.     Ker mi je všeč, kar delam.
9.     Mislim, da je bistvo dela, da prispevamo k družbi.

Zasnova in vodstvo:
Teja Reba in Špela Trošt
Soavtorji:
Loup Abramovici, Mateja Bučar, Matjaž Farič, Tomaž Grom, Katja Legin, Lana Zdravković
Nastopajo:
Loup Abramovici, Dimitra Alfirević Srhoj, Mary Anne Blanche, Vesna Godler, Tomaž Grom, Katja Legin, Liana Kalčina, Marjeta Kamnikar, Svarun Košir, Čarna Košir, Marija Pantić, Kalvin Radivojević, Bela Reba Abramovici, Pika Redžić, Špela Trošt, Iva Vidmar, Lana Zdravković

Oblikovanje svetlobe: Špela Škulj
Oblikovanje zvoka: Tomaž Grom
Izbor glasbe: Matjaž Farič, Katja Legin, Tomaž Grom, Lana Zdravković
Naslovna fotografija: Marcandrea
Tehnična ekipa: Igor Remeta, Andrej Petrovčič, Duško Pušica, Manca Vukelič, Vid Starman
Čistilki: Marjeta Pogačnik, Darinka Županec Ivanovski

Produkcija: Teja Reba
Koprodukcija: Zavod Sploh
Partnerji: Zavod Bunker, Ljubljana, Zavod En-Knap, DUM – Društvo umetnikov, MG+MSUM, Associazione Culturale YANVII

Finančna podpora: Ministrstvo za kulturo RS, Mestna občina Ljubljana

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